film.photography
Blue Crate
Shot on Kodak Portra 400 at EI 800
Color negative film in 120 format shot as 6×6
1-stop under exposed, no push processing
Lock-xidized
Shot on Fuji Press 800 at EI 800Color negative film in 35mm format
Lock-xidizedShot on Fuji Press 800 at EI800.
Low EQ
Shot on Shanghai GP3 100 at EI 800
Back and white negative film in 120 format shot as 6×6
Push processed two stops
Hanging around
Lomography Color Negative 800 shot at EI 800.
Color negative film in 120 format shot as 6×6.
Waving in the new
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+1/3 stops.
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
