Tag: EI 800
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Photography: Blue crate – Kodak Portra 400 (120)
Blue Crate Shot on Kodak Portra 400 at EI 800 Color negative film in 120 format shot as 6×6 1-stop under exposed, no push processing
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Photography: Lock-xidized – Shot on Fuji Press 800 at EI 800 (35mm format)
Lock-xidized Shot on Fuji Press 800 at EI 800Color negative film in 35mm format Lock-xidizedShot on Fuji Press 800 at EI800.
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Photography: Low EQ – Shot on Shanghai GP3 100 at EI 800 (120 format)
Low EQ Shot on Shanghai GP3 100 at EI 800 Back and white negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Hanging around – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Hanging around Lomography Color Negative 800 shot at EI 800. Color negative film in 120 format shot as 6×6.
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Photography: Waving in the new – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Waving in the new Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+1/3 stops.
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
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Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.