Tag: EI 800
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Photography: Pure rot – Ilford HP5+ (120)
Pure rot Ilford HP5+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1 stop
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Photography: Hey, you’re in my sho…never mind – Kodak Tri-X 400 (35mm)
Hey, you’re in my sho…never mind Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: At the foot of the hill – Ilford Pan F+ (120)
Just at the foot of the hill Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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Photography: Address unknown – Ilford Pan F+ (120)
Address unknown Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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Photography: Late bloomer – Ilford Pan F+ (120)
Late bloomer Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Photography: Pumpkin pile – Ilford Pan F+ (120)
Pumpkin pile Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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Photography: Stagnant staircase – Ilford Pan F+ (120)
Stagnant staircase Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Photography: Tucked away – Ilford Pan F+ (120)
Tucked away Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Photography: Urban constellations #01 – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Urban constellations #01 Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide
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Photography: Last light – Shot on Kodak Ektar 100 at EI 800 (120)
2016-10-05 – Last light Kodak Ektar 100 shot at EI 800 Color negative film in 120 format shot as 6×6 No push processing / under exposed 2 stops
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Photography: What is it? – Eastman Double-X 5222 (35mm)
What is it? Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+2/3 stops
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Photography: Street racers – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Street racers ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here.
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Photography: Would you like younger looking skin? – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Would you like younger looking skin? ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here
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Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
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Photography: Filthy habit – Ilford FP4+ (35mm)
2016-09-07 – Filthy habit Ilford FP4+ shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops
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Photography: Cloud machine – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)
Cloud machine Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 800 Color negative film in 35mm format
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Photography: Some maintenance required – Fuji Press 800 (35mm)
2016-08-06 – Some maintenance required Fuji Press 800 shot at EI 800 Color negative film in 35mm format
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Photography: Peppercorn alley – Kodak Hawkeye Traffic Surveillance Color Film 2486
2016-08-03 – Peppercorn alley Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 800. Color negative film in 35mm format.
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Photography: Rapids – Ilford Delta 400 Professional (35mm)
Rapids Shot on ILFORD Delta 400 Professional at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Letters to the editor – Ilford HP5+ (35mm)
Letters to the editor Shot on Ilford HP5+ at EI 800 Black and white negative film in 35mm format Push processed one stop