EI 800 archives on EMULSIVE

Decked out - Shot on Kodak Portra 800 at EI 200. Color negative film in 120 format shot as 6x6.

Photography: Decked out – Shot on Kodak Portra 800 at EI 200 (120 format)

October 16, 2020August 11, 2019 by EM

Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

October 16, 2020February 10, 2019 by EM

Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Development notes
Kodak HC-110: 1+31(B

Downtime - Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film. Fuji GW690III + EBC Fujinon 90mm f/3.5 (COVER)

Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)

October 16, 2020February 9, 2019 by EM

Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Window shopping - Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)

October 16, 2020February 2, 2019 by EM

Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Off the job - Shot on ILFORD FP4 PLUS at EI 800 - Black and white negative film in wide 35mm format (TEXPan) CROP

Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

October 16, 2020January 25, 2019 by EM

Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji …

Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

October 16, 2020January 23, 2019 by EM

Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III …

Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)

October 16, 2020January 21, 2019 by EM

Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Development notes
Kodak HC-110: 1+31(B

Duvel - Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in 35mm format. Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)

October 16, 2020January 18, 2019 by EM

Duvel
Shot on Lomography Berlin 400 at EI 800.
Black and white motion picture film in wide 35mm format (TEXPan)
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 11:00

Slow day - Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in 35mm format. Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)

October 16, 2020January 11, 2019 by EM

Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji …

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

October 16, 2020October 31, 2018 by EM

Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

1000 layers - Shot on Lomography Color Negative 800 at EI 800. Color negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2 AI-S.

Photography: 1000 layers – Shot on Lomography Color Negative 800 at EI 800 (35mm format)

October 16, 2020September 21, 2018 by EM

1000 layers

Shot on Lomography Color Negative 800 at EI 800
Color negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S

1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon

Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)

October 16, 2020September 4, 2018 by EM

Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

Development notes
Kodak HC-110

No smoking - Shot on Fuji NEOPAN 400 at EI 400. Black and white negative film in 35mm format. Over processed one stop.

Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)

October 16, 2020August 23, 2018 by EM

No smoking

Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute

Through yonder - Shot on Fuji Press 800 at EI 800. Color negative film in 35mm format.

Photography: Through yonder – Shot on Fuji Press 800 at EI 800 (35mm format)

October 16, 2020July 24, 2018 by EM

Through yonder

Shot on Fuji Press 800 at EI 800
Color negative film in 35mm format

Waiting time - Shot on Kodak Tri-X 400 at EI 800. Black and white negative film in 120 format shot as 6x6.

Photography: Waiting time – Shot on Tri-X 400 at EI 800 (120 format)

October 16, 2020June 29, 2018 by EM

Waiting time

Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 120 format shot as 6×6

Chop chop - Shot on Kodak Ektar 100 at EI 800. Color negative film in 120 format shot as 6x6. Push processed three stops.

Photography: Chop chop – Shot on Kodak Ektar 100 at EI 800 (120 format)

October 16, 2020June 26, 2018 by EM

Chop chop

Shot on Kodak Ektar 100 at EI 800
Color negative film in 120 format shot as 6×6
Push processed three stops

Split #05 - Shot on ILFORD Delta 100 Professional at EI 800. Black and white negative film in 35mm format.

Photography: Split #05 – Shot on ILFORD Delta 100 Professional at EI 800 (35mm format)

October 16, 2020May 10, 2018 by EM

Split #05

Shot on ILFORD Delta 100 Professional at EI 800
Black and white negative film in 35mm format
Push processed 3 stops

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

October 16, 2020April 25, 2018 by EM

Twins

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

Development notes
Kodak HC-110 (B

Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

October 16, 2020April 23, 2018 by EM

Condensed

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

Development notes
Kodak HC-110 (B

Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

October 16, 2020April 20, 2018 by EM

Royalty

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

Development notes
Kodak HC-110 (B