EI 800


Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

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Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Downtime - Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film. Fuji GW690III + EBC Fujinon 90mm f/3.5 (COVER)

Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)

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Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Window shopping - Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)

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Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

 

 

Off the job - Shot on ILFORD FP4 PLUS at EI 800 - Black and white negative film in wide 35mm format (TEXPan) CROP

Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

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Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji …

Read morePhotography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

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Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III …

Read morePhotography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)

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Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Duvel - Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in 35mm format. Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)

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Duvel
Shot on Lomography Berlin 400 at EI 800.
Black and white motion picture film in wide 35mm format (TEXPan)
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 11:00

Slow day - Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in 35mm format. Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)

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Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji …

Read morePhotography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

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Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

1000 layers - Shot on Lomography Color Negative 800 at EI 800. Color negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2 AI-S.

Photography: 1000 layers – Shot on Lomography Color Negative 800 at EI 800 (35mm format)

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1000 layers

Shot on Lomography Color Negative 800 at EI 800
Color negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S

1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon

Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)

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Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110

No smoking - Shot on Fuji NEOPAN 400 at EI 400. Black and white negative film in 35mm format. Over processed one stop.

Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)

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No smoking

Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

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Twins

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

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Condensed

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

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Royalty

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B