Shot on Lomography Color Negative 800 at EI 800.Color negative film in 120 format shot as 6×6.Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8. Check out my Lomography CN 800 vs Kodak Portra 800 vs Fuji Natura 1600 (day and night) blind film test.
Tag: EI 800
Photography: Light and shadow – Shot on Lomography Color Negative 800 at EI 800 (120 Format)
Both shot on Lomography Color Negative 800 (EI 800, meter readings differ by 2-stops).Color negative film in 120 format shot at 6×6.Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8. Check out Lomography CN 800 vs Kodak Portra 800 vs Fuji Natura 1600 (day and night) in my blind film test.
Photography: Side on – Shot on Lomography Color Negative 800 at EI 800 (35mm Format)
Shot on Lomography Color Negative 800 at EI 800Color negative film in 35mm formatNikon F100 + Nikkor 85mm f/1.8 AF-D Side on – Lomography CN 800 (200) – Nikon F100 – Nikkor 85mm f/1.8 AF-D
Photography: Shortcut – Shot on Fujifilm NEOPAN 400 at EI 800 (35mm Format)
Shot on Fujifilm NEOPAN 400 at EI 800Black and white negative film in 35mm formatNikon F100 + Nikon Zoom-Nikkor 35-70mm f/2.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 07:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Photography: Anamorphic Test #03 – Shot on Kodak Eastman Double-X (5222) at EI 800 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Eastman Double-X (5222) at EI 800Black and white negative film in 35mm formatPush processed 3 stopsNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Photography: Decked out – Shot on Kodak Portra 800 at EI 200 (120 format)
Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Decked out Shot on Kodak Portra 800 at EI 200. Color negative film in 120 format shot as 6×6.
Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)
Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Duvel
Shot on Lomography Berlin 400 at EI 800.
Black and white motion picture film in wide 35mm format (TEXPan)
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1
The images below form part
Photography: 1000 layers – Shot on Lomography Color Negative 800 at EI 800 (35mm format)
1000 layers
Shot on Lomography Color Negative 800 at EI 800
Color negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S
1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon
Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110
Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking
Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Photography: Through yonder – Shot on Fuji Press 800 at EI 800 (35mm format)
Through yonder
Shot on Fuji Press 800 at EI 800
Color negative film in 35mm format
Photography: Waiting time – Shot on Tri-X 400 at EI 800 (120 format)
Waiting time
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 120 format shot as 6×6