Tag: EI 400
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Photography: Fixed motion – Shot on Rollei Superpan 200 at EI 400 (120 format)
Fixed motion Shot on Rollei Superpan 200 at EI 400. Black and white negative film in 120 format shot as 6×6. Push processed one stop. Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
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Photography: Purple Flare – Shot on LomoChrome Purple XR 100-400 at EI 400 (35mm format)
Purple Flare Shot on LomoChrome Purple XR 100-400 at EI 400. Color negative film in 35mm format.
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Photography: New Year Red and Gold – Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 (35mm format)
New Year Red and Gold Shot on Kodak Hawkeye color surveillance film (2486) at EI 400. Color negative film in 35mm format.
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Photography: Final Spring – Shot on Lomography LomoChrome Purple XR100-400 at EI 200 (35mm format)
Final Spring Shot on Lomography LomoChrome Purple XR100-400 at EI 200.Speciality color negative film in 35mm format.Orange filter, overexposed one stop.
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Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
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Photography: Growth – Shot on Lomography Color Negative 400 at EI 400 (120 format)
Growth Shot on Lomography Color 400 at EI 400Color negative film in 120 format film shot as 6×6
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Photography: Pushed to the MAX – Shot on Kodak ULTRA MAX 400 at EI 1600 (35mm format)
Pushed to the MAX Shot on Kodak ULTRA MAX 400 at EI 1600.Color negative film in 35mm format