Tag: EI 400
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Photography: Besom 02 – Fuji Pro 400H (120)
Besom 02 – 2015-05-03 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x teleconverter
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Photography: Meshed up – Kodak Portra 400VC (120)
Meshed up – 2015-05-02 Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×6
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Photography: I am a wall – Kodak BW400CN (120)
I am a wall – 2016-04-25 Kodak BW400CN shot at EI 400 black and white negative in 120 format shot as 6×6
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Photography: Stack – Shto on Rollei Infrared 400 at EI 6 (120 format)
Stack Rollei Infrared 400 shot at EI 6 with R72 filter Black and white infrared film in 120 format shot as 6×6
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Photography: Containment breach – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Containment breach Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: Purple sakura – Shot on Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Purple sakura Shot on Lomochrome Purple XR 100-400 at EI 400Color negative film in 120 format shot as 6×4.5 Purple sakuraLomochrome Purple XR 100-400 shot at EI 400.
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EMULSIVE interview #68: I am Ryan Neilan and this is why I shoot film
We’ve got a bit of a treat for you today; the photography and thoughts of Ryan Neilan.
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Photography: Simply sakura – Fuji Superia Premium 400
Fuji Superia Premium 400 shot at EI 400 Color negative film in 35mm format
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Photography: Pineapple light study #02 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Pineapple light study #01 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
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Photography: The narrows – Shot on Kodak AEROCHROME III 1443 (35mm)
The narrows Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Tranquillity – Shot on ILFORD HP5 PLUS at EI 400 (35mm format)
Tranquillity Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 35mm format
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Photography: Lionhead – Maco Eagle AQS 400 (35mm)
Lionhead Maco Eagle AQS 400 (Rollei Retro 400s) shot at EI320 Black and white negative film in 135 format
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Photography: Lightbox – Maco Eagle AQS 400 (Rollei Retro 400s)
Lightbox Maco Eagle AQS 400 (Rollei Retro 400s) shot at EI320 Black and white negative film in 135 format
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Photography: Cheap Trik – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Cheap Trik Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed two stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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How to get started with pushing (and pulling) film
We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It’s a great read for those of you who are thinking about dipping
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Photography: Objects in the mirror may… – Fuji Provia 400X (RXP 400)
Fuji Provia 400X (RXP 400) shot at ISO400 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Two-tone – Shot on Fuji NEOPAN 400 at EI 200 (35mm format)
Two-tone Shot on Fuji Neopan 400 at EI 200Black and white negative in 35mm formatOver expose one stop and push processed two stops. Two-toneFuji Neopan 400 shot at EI 200. Black and white negative in 35mm format.
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Photography: Black lightning – Shot on Rollei Infrared 400 at EI 6 (120 format)
Black lightning Rollei Infrared 400 shot at EI 6 Black and white negative in 120 format shot as 6×6 R72 infrared filter