Tag: EI 400
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Photography: Flotsam mooring – Kodak T400CN
Flotsam mooring Kodak T400CN shot at EI 200 Black and white negative in 120 format shot as 6×6 Overexposed one stop
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Photography: Hyggelig – Shot on Kodak AEROCHROME III 1443 (120)
Hyggelig Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
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Photography: Passage – Shot on Kodak Tri-X 400 at EI 6400 (35mm)
Passage Shot on Kodak Tri-X 400 at EI 6400 Black and white negative film in 35mm format Push processed four stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: Patched – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Patched Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops Read the full ILFORD HP5 PLUS review here.
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Photography: Belly of the beast – Shot on Fuji Pro 400H at EI 400 (120 format)
Belly of the beast Fuji Pro 400H shot at EI 400 Color negative film in 120 format shot as 6×6 Bleach bypass C41 processing
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Photography: Swapping details – Fuji Pro 400H (120)
Fuji Pro 400H shot at ISO400 Color negative film in 120 format shot as 6×4.5
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Photography: Flightpath – Shot on Kodak Portra 400 at EI 200 (120 format)
Flightpath Shot on Kodak Portra 400 at EI 200 Color negative film in 120 format shot as 6×6
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Photography: Ha – Shot on Kodak Tri-X 400 at EI 400 (35mm)
Ha Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!
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Photography: Skeletal – Shot on Fuji 400T 8683 at EI 400 (35mm)
Skeletal Shot on Fuji 400T (8683) at EI 400 Color tungsten-balanced motion picture film in 35mm format
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Photography: Filing – Ultrafine Extreme 400 (120)
Filing Ultrafine Extreme 400 shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Secured – Shot on Kodak Tri-X 400 at EI 800 (120)
Secured Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing
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Photography: Between adventures – Shot on Lomochrome Purple XR100-400 at EI 400 (120 format)
Between adventures Lomochrome Purple XR100-400 shot at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Feed me – Kodak Portra 400 (120)
Feed me Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot at 6×6
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Photography: Ferruginous – Kodak Portra 400 (120)
Ferruginous Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6 Partial double exposure / end of roll
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Photography: Propped – Shot on Kodak Tri-X 400 at EI 800 (120)
Propped Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing
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Photography: Carved – Fuji Pro 400H (120)
Carved Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6
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Photography: Prettyboy – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Prettyboy Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: MUSTH not approach – Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
MUSTH not approach Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Interlocked – Shot on Kodak Tri-X 400 at EI 800 (35mm format)
Interlocked Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format
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Photography: Exposed – Shot on Kodak Portra 400 at EI 400 (120 format)
Exposed Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×6