EI 250
Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Seeing spots
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop
Development notes
Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3)
1 minute presoak, 30 seconds initial
Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Muckcatcher
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions
Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Under cover
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1
Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Keep your head down
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial
Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Area secured
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops
Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
Photography: Last breath – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Last breath
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)
Rusticle
Shot on Kodak 250D (VISION3 5207) at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5
Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1 and 2/3 stops
Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)
Saw
Shot on Kodak VISION3 250D (5207) at EI 500
Color negative motion picture film in 35mm format
Push processed one stop
Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Famous express
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops
Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in
Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Wall Lords
Shot on Kodak VISION3 250D (5207) at EI 250
Color negative motion picture film in 35mm format
Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Twin Peaks
Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Hasselblad Distagon C 50/4 with adapter
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Torsion
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Photography: What is it? – Eastman Double-X 5222 (35mm)
What is it?
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400
Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;
Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Should've posted to Instagram
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
