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Seeing spots - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.
35mm format

Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400...

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Seeing spots Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop   Development notes Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3) 1 minute presoak, 30 seconds initial
Muckcatcher - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops
35mm format

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm...

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Muckcatcher Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1 inversions
Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
35mm format

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600...

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Under cover Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1
Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
35mm format

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at...

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Keep your head down Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial
Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
35mm format

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600...

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Area secured Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
Last breath - Shot on Kodak VISION3 250D 5207 at EI 250 - Color motion picture film in 35mm format.
35mm format

Photography: Last breath – Shot on Kodak VISION3 250D 5207 at...

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Last breath Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film    
35mm format

Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI...

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Rusticle Shot on Kodak 250D (VISION3 5207) at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film    
Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.
35mm format

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at...

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Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop   Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5
Second choice - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.
35mm format

Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at...

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Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1 and 2/3 stops    
Scratched to bits - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250. Black and white negative film in 35mm format. Push processed 1 stop.
35mm format

Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI...

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Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop    
Saw - Shot on Kodak VISION3 250D 5207 at EI 500 - Color negative motion picture film in 35mm format. Push processed one stop.
35mm format

Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI...

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Saw Shot on Kodak VISION3 250D (5207) at EI 500 Color negative motion picture film in 35mm format Push processed one stop    
Famous express - Shot on Kodak Eastman Double-X 5222 at EI 1600. Black and white motion picture film in 35mm format. Push processed 2 and 2/3 stops.
35mm format

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI...

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Famous express Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in
Wall Lords - Shot on Kodak VISION3 250D (5207) at EI 250. Color negative motion picture film in 35mm format.
35mm format

Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at...

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Wall Lords Shot on Kodak VISION3 250D (5207) at EI 250 Color negative motion picture film in 35mm format          
Stark - Shot on Eastman Double-X 5222 at EI 400. Black and white motion picture film in 35mm format.
35mm format

Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400...

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Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format          
Twin Peaks - Kodak 250D (VISION3 5207) shot at EI 250. Color motion picture film in 35mm format. Hasselblad Distagon C 50/4 with adapter.
35mm format

Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at...

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Twin Peaks Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm format Hasselblad Distagon C 50/4 with adapter     Read the Kodak VISION3 250D review Bulk load your own 120 film  
35mm format

Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400...

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Torsion Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 2+2/3 stops          
2016-06-24 - What is it? - Eastman Double-X 5222 shot at EI 800. Black and white film in 35mm format. Push processed 1+2/3 stops.
35mm format

Photography: What is it? – Eastman Double-X 5222 (35mm)

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What is it? Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+2/3 stops        
Developing film beaker and thermometer
Darkroom

Cheat sheet: ILFORD FP4 PLUS development times – EI 100 to...

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Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;
Ready for Instagram - Eastman Double-X 5222 shot at EI 400. Black and white motion picture film in 35mm format.
35mm format

Photography: Should've posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X...

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Should've posted to Instagram Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format        
Everything must go - Eastman Double-X 5222 shot at EI 250. Black and white motion picture film in 35mm format.
35mm format

Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at...

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Everything must go Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format          
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