Everything covering EI 250 on EMULSIVE

Seeing spots - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.

Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

by EMFebruary 3, 2019October 16, 2020

Seeing spots
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

Development notes
Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3)
1 minute presoak, 30 seconds initial

Muckcatcher - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops

35mm format, Photography

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMNovember 5, 2018October 16, 2020

Muckcatcher

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions

35mm format, Photography

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMOctober 29, 2018October 16, 2020

Under cover

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1

35mm format, Photography

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMOctober 26, 2018October 16, 2020

Keep your head down

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial

35mm format

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMOctober 22, 2018October 16, 2020

Area secured

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops

Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

35mm format

Photography: Last breath – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

by EMOctober 15, 2018October 16, 2020

Last breath
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format

Read the Kodak VISION3 250D review
Bulk load your own 120 film

35mm format

Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)

by EMSeptember 5, 2018October 16, 2020

Rusticle
Shot on Kodak 250D (VISION3 5207) at EI 250
Color motion picture film in 35mm format

Read the Kodak VISION3 250D review
Bulk load your own 120 film

Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.

35mm format, Photography

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

by EMAugust 29, 2018October 16, 2020

Super absorbent

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5

35mm format, Photography

Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)

by EMAugust 9, 2018October 16, 2020

Second choice

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1 and 2/3 stops

Scratched to bits - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250. Black and white negative film in 35mm format. Push processed 1 stop.

35mm format, Photography

Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)

by EMMay 22, 2018October 16, 2020

Scratched to bits

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop

Saw - Shot on Kodak VISION3 250D 5207 at EI 500 - Color negative motion picture film in 35mm format. Push processed one stop.

35mm format, Photography

Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)

by EMApril 27, 2018October 16, 2020

Saw

Shot on Kodak VISION3 250D (5207) at EI 500
Color negative motion picture film in 35mm format
Push processed one stop

35mm format

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

by EMFebruary 8, 2018October 16, 2020

Famous express

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops

Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in

Wall Lords - Shot on Kodak VISION3 250D (5207) at EI 250. Color negative motion picture film in 35mm format.

35mm format, Photography

Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

by EMJuly 6, 2017October 16, 2020

Wall Lords

Shot on Kodak VISION3 250D (5207) at EI 250
Color negative motion picture film in 35mm format

Stark - Shot on Eastman Double-X 5222 at EI 400. Black and white motion picture film in 35mm format.

35mm format, Photography

Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

by EMMay 30, 2017October 16, 2020

Stark

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format

Twin Peaks - Kodak 250D (VISION3 5207) shot at EI 250. Color motion picture film in 35mm format. Hasselblad Distagon C 50/4 with adapter.

35mm format, Photography

Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

by EMNovember 18, 2016October 16, 2020

Twin Peaks

Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Hasselblad Distagon C 50/4 with adapter

Read the Kodak VISION3 250D review
Bulk load your own 120 film

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35mm format, Photography

Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

by EMNovember 10, 2016October 16, 2020

Torsion
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 2+2/3 stops

2016-06-24 - What is it? - Eastman Double-X 5222 shot at EI 800. Black and white film in 35mm format. Push processed 1+2/3 stops.

35mm format, Photography

Photography: What is it? – Eastman Double-X 5222 (35mm)

by EMSeptember 14, 2016October 16, 2020

What is it?
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops

Darkroom, Developing Film, Experiments, Film development times, Film stock reviews, ILFORD Film Stock Reviews, Reviews

Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400

by EMSeptember 10, 2016October 16, 2020

Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;

35mm format

Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

by EMAugust 24, 2016October 16, 2020

Should’ve posted to Instagram
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format

Everything must go - Eastman Double-X 5222 shot at EI 250. Black and white motion picture film in 35mm format.

35mm format, Photography

Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)

by EMAugust 23, 2016October 16, 2020

Everything must go
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format