Article tags EI 250

Tag: EI 250

35mm format

Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

EM -
Seeing spots Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop   Development notes Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3) 1 minute presoak, 30 seconds initial
Read more
35mm format

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

EM -
Muckcatcher Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1 inversions
Read more
35mm format

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

EM -
Under cover Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1
Read more
35mm format

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

EM -
Keep your head down Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial
Read more
35mm format

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

EM -
Area secured Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
Read more
35mm format

Photography: Last breath – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

EM -
Last breath Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film    
Read more
35mm format

Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)

EM -
Rusticle Shot on Kodak 250D (VISION3 5207) at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film    
Read more
35mm format

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

EM -
Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop   Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5
Read more
35mm format

Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)

EM -
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1 and 2/3 stops    
Read more
35mm format

Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)

EM -
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop    
Read more
35mm format

Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)

EM -
Saw Shot on Kodak VISION3 250D (5207) at EI 500 Color negative motion picture film in 35mm format Push processed one stop    
Read more
35mm format

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

EM -
Famous express Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in
Read more
35mm format

Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

EM -
Wall Lords Shot on Kodak VISION3 250D (5207) at EI 250 Color negative motion picture film in 35mm format          
Read more
35mm format

Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

EM -
Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format          
Read more
35mm format

Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

EM -
Twin Peaks Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm format Hasselblad Distagon C 50/4 with adapter     Read the Kodak VISION3 250D review Bulk load your own 120 film  
Read more
35mm format

Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

EM -
Torsion Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 2+2/3 stops          
Read more
35mm format

Photography: What is it? – Eastman Double-X 5222 (35mm)

EM -
What is it? Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+2/3 stops        
Read more
Darkroom

Cheat sheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400

EM -
Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;
Read more
35mm format

Photography: Should've posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

EM -
Should've posted to Instagram Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format        
Read more
35mm format

Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)

EM -
Everything must go Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format          
Read more
123Page 1 of 3

About

The latest film photography news, reviews, features, photography, experiments and interviews from EMULSIVE. It's about latitude and depth, not megapixels and actuations.

Follow

© EMULSIVE.ORG 2015 - PRESENT