• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » EI 250

Tag: EI 250

The crew's back - Shot on Fujifilm ETERNA Vivid 250D (8546) at EI 250 (35mm Format).JPG
Posted in35mm format

Photography: The crew’s back – Shot on Fujifilm ETERNA Vivid 250D (8546) at EI 250 (35mm Format)

Avatar - EMby EMAugust 12, 2021August 12, 2021

Shot on Fujifilm ETERNA Vivid 250D (8546) at EI 250Color motion picture negative film in 35mm formatRicoh GR1v + Ricoh GR 28mm F/2.8

Seeing spots - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.
Posted in35mm format, Photography

Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Avatar - EMby EMFebruary 3, 2019July 31, 2021

Seeing spots
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3)
1 minute presoak, 30 seconds initial

Muckcatcher - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops
Posted in35mm format, Darkroom printing, Photography

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMNovember 5, 2018July 31, 2021

Muckcatcher

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions

Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMOctober 29, 2018July 31, 2021

Under cover

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1

Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMOctober 26, 2018July 31, 2021

Keep your head down

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial

Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMOctober 22, 2018July 31, 2021

Area secured

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops

Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Last breath - Shot on Kodak VISION3 250D 5207 at EI 250 - Color motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Last breath – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Avatar - EMby EMOctober 15, 2018July 31, 2021

Last breath
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format

Read the Kodak VISION3 250D review
Bulk load your own 120 film

 

 

Rusticle Shot on Kodak 250D (VISION3 5207) at EI 250. Color motion picture film in 35mm format.
Posted in35mm format

Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)

Avatar - EMby EMSeptember 5, 2018July 31, 2021

Rusticle
Shot on Kodak 250D (VISION3 5207) at EI 250
Color motion picture film in 35mm format

Read the Kodak VISION3 250D review
Bulk load your own 120 film

 

 

Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.
Posted in35mm format, Photography

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Avatar - EMby EMAugust 29, 2018July 31, 2021

Super absorbent

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5

Second choice - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.
Posted in35mm format, Photography

Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)

Avatar - EMby EMAugust 9, 2018July 31, 2021

Second choice

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1 and 2/3 stops

 

 

Scratched to bits - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250. Black and white negative film in 35mm format. Push processed 1 stop.
Posted in35mm format, Photography

Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)

Avatar - EMby EMMay 22, 2018July 31, 2021

Scratched to bits

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop

 

 

Saw - Shot on Kodak VISION3 250D 5207 at EI 500 - Color negative motion picture film in 35mm format. Push processed one stop.
Posted in35mm format, Photography

Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)

Avatar - EMby EMApril 27, 2018July 31, 2021

Saw

Shot on Kodak VISION3 250D (5207) at EI 500
Color negative motion picture film in 35mm format
Push processed one stop

 

 

Famous express - Shot on Kodak Eastman Double-X 5222 at EI 1600. Black and white motion picture film in 35mm format. Push processed 2 and 2/3 stops.
Posted in35mm format

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

Avatar - EMby EMFebruary 8, 2018July 31, 2021

Famous express

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops

Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in

Wall Lords - Shot on Kodak VISION3 250D (5207) at EI 250. Color negative motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Avatar - EMby EMJuly 6, 2017October 16, 2020

Wall Lords

Shot on Kodak VISION3 250D (5207) at EI 250
Color negative motion picture film in 35mm format

 

 

 

 

 

Stark - Shot on Eastman Double-X 5222 at EI 400. Black and white motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

Avatar - EMby EMMay 30, 2017October 16, 2020

Stark

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format

 

 

 

 

 

Twin Peaks - Kodak 250D (VISION3 5207) shot at EI 250. Color motion picture film in 35mm format. Hasselblad Distagon C 50/4 with adapter.
Posted in35mm format, Photography

Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Avatar - EMby EMNovember 18, 2016October 16, 2020

Twin Peaks

Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Hasselblad Distagon C 50/4 with adapter

 

 

Read the Kodak VISION3 250D review
Bulk load your own 120 film

&nbsp

Posted in35mm format, Photography

Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

Avatar - EMby EMNovember 10, 2016October 16, 2020

Torsion
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 2+2/3 stops
 

 
 

 
 

2016-06-24 - What is it? - Eastman Double-X 5222 shot at EI 800. Black and white film in 35mm format. Push processed 1+2/3 stops.
Posted in35mm format, Photography

Photography: What is it? – Eastman Double-X 5222 (35mm)

Avatar - EMby EMSeptember 14, 2016October 16, 2020

What is it?
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops
 

 
 

 

Developing film beaker and thermometer
Posted inDarkroom, Developing Film, Experiments, Film development times, Film stock reviews, ILFORD Film Stock Reviews, Reviews

Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400

Avatar - EMby EMSeptember 10, 2016October 16, 2020

Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;

Ready for Instagram - Eastman Double-X 5222 shot at EI 400. Black and white motion picture film in 35mm format.
Posted in35mm format

Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

Avatar - EMby EMAugust 24, 2016October 16, 2020

Should’ve posted to Instagram
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
 

 
 

 

Posts navigation

1 2 3 Older posts
  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

Unhinged #02 - Shot on Fuji Premium 400 at EI 400. Color negative film in 35mm format.
Photography: Unhinged #02 – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
ILFORD FP4 PLUS - Leica M2 - Phil Harrison
5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Leica M2)
All the way up - Shot on Bergger Pancro 400 at EI 200. Black and white negative film in 120 format shot as 6x6. Orange 21 filter, Hasselblad Planar F 80 F/2.8, Pyrocat-HD 1:2:100
Photography: All the way up – Shot on Bergger Pancro 400 at EI 200 (120 format)
Fuji Velvia RVP EI 50
5 Frames… With Fujifilm Fujichrome Velvia (EI 50 / 35mm format / Leica M6)
Famous express - Shot on Kodak Eastman Double-X 5222 at EI 1600. Black and white motion picture film in 35mm format. Push processed 2 and 2/3 stops.
Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Tivolina - Shot on Fomapan R100 at EI 100. Black and white negative film in 120 format shot as 6x6.
Photography: Tivolina – Shot on Fomapan R 100 at EI 100 (120 format)
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… As an ode to unsung photography heroes (Fujifilm NEOPAN 100 ACROS / 35mm format / EI 100 / Nikon F + Nikon Micro-Nikkor 55mm f/2.8)
  • What can you do if an idea seems “too big”?
  • 5 Frames… On Agfa APX 100 with an Olympus OM-10 + Zuiko 50mm f/1.8 – by Thomas Garrard
  1. Simon King on What can you do if an idea seems “too big”?February 1, 2023
  2. Simon King on What can you do if an idea seems “too big”?February 1, 2023
  3. Luís Lapão on What can you do if an idea seems “too big”?January 31, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.