Tag: EI 200
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Photography: Succulent display – Shot on Kodak Portra 400VC at EI 200 (120 format)
Succulent display Shot on Kodak Portra 400VC at EI 200. Color negative film in 120 format shot as 6×6.
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Photography: Fire damage – ADOX Silvermax 100 (35mm)
Fire damage Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Blessing and happiness for friends – Lomochrome Purple XR 100-400 (35mm)
Blessing and happiness for friends Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
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Photography: Spindly bobbly things – Lomochrome Purple XR 100-400 (35mm)
Spindly bobbly things Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
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Photography: Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push / one stop over development
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Photography: Hitachi 1969 – Lomography Purple XR 100-400 (35mm)
Hitachi 1969 Lomography Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
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Photography: Thermoplastic – Agfa Vista Plus 200 (35mm)
Thermoplastic Agfa Vista Plus 200 shot at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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Photography: I’m so glad you came… Fuji Pro 160 NPC (120)
I’m so glad you came… Fuji Pro 160 NPC shot at EI 160 Color negative film in 120 format shot as 6×6 2x Tele-Converter 2- stop push process
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Photography: Eastern skies – Agfa Vista Plus 200 (35mm)
Eastern skies Agfa Vista Plus 200 shot at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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Photography: God’s library – Agfa Scala 200X (35mm)
God’s library Agfa Scala 200X shot at EI 100 Black and white reversal (slide) film shot in 35mm format
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Photography: The longer you wait… – Agfa Scala 200X (35mm)
The longer you wait… Agfa Scala 200X shot at EI 100 Black and white reversal (slide) film shot in 35mm format
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Photography: All bunched up – Fuji Provia 100F – RDP III (120)
All bunched up Shot on Fuji Provia 100F (RDP III) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 30mm fisheye Push processed one stop Read the Fuji Provia 100F (RDP III) review here.  
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Photography: Barred skies – Kodak Portra 400 (120)
Barred skies Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: RAMP – Fuji Pro 400H (35mm)
RAMP Fuji Pro 400H shot at EI 200Color negative film in 35mm formatOver exposed 1-stop RAMPFuji Pro 400H shot at EI 200.Color negative film in 35mm formatOver exposed 1-stop.
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Photography: By the sack – Fuji Pro 400H (35mm)
2016-09-28 – By the sack Fuji Pro 400H shot at EI 200 Color negative film in 35mm format Over exposed by one stop
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Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
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Photography: Step right up – Fuji Acros 100 (35mm)
Step right up Shot on Fuji Acros 100 at EI 200 Black and and white negative film in 35mm format Push processed two stops
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Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format