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Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×45
Push processed three stops
Read the full ILFORD HP5 PLUS review here.
4x
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1+1/3 stops
Read the full ILFORD HP5 PLUS review here.
Tear it down…tear it all down
ILFORD HP5 PLUS shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push Processed 1+1/3 stops
Read the ILFORD HP5 PLUS review.
Scarred
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1+1/3 stops
So long chaps!
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1+1/3 stops
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
Deep-rooted
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×6
Push processed 1+1/3 stop
Read the full ILFORD HP5 PLUS review here.
Whiter than white
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1.5 stops
27-07-2015 – The pane
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1.5 stops
Baby Blue
Shot on Fuji 500T VIVID (8547) at EI 1000.
Color tungsten balanced motion picture film in 35mm format.
