Cross Processing / XPRO

Lomography Peacock X-Pro Slide 110 film: Just because it says X-PRO doesn’t mean you should

What did my mother tell me about talking to strange men on the internet? That’s right, I shouldn’t do it. Did I listen? That would …

Read moreLomography Peacock X-Pro Slide 110 film: Just because it says X-PRO doesn’t mean you should

5 Frames With... Kodak EKTACHROME 160T (EI 100-150 / 35mm / Zenit TTL) - by Lucy Wainwright

5 Frames… With Kodak EKTACHROME 160T (EI 100-150 / XPRO / 35mm format / Zenit TTL) – by Lucy Wainwright

Because it couldn’t just be 160T, that’d be too easy.

Kodak EKTACHROME 160T, was one of the three speeds of tungsten-balanced slide film that Kodak produced until 2013 or so, and you can still find plenty of it around

Cover - Cinematic storytelling part 2 - motion picture film, print film and chemistry v3

Cinematic storytelling part 2: motion picture film, print film and chemistry

In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.

Cinematic storytelling part 1: an overview of motion picture film and still photography

This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself.

Through this article and the

Tanked - Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.

Photography: Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)

Tanked
Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100
Color reversal (slide) film in 35mm format
Cross processed

 

 

 

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #04

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #03

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #02

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #01

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm