I recently bought a Mamiya RB67 with a Mamiya Sekor C 50mm f4.5 and a 90mm f3.8. After a month away for a CLA I got it back, where a few expired rolls were waiting for it. I was eager to shoot a lot, since I’m used to shooting a lot of 35mm and half […]
Tag: Cross Processing / XPRO
Posted inArticles, Featured
Kodak “dinosaur” film: A photo set 65 million years in the making… On ELITE Chrome II 400 slide film
While looking through a box of memorabilia, I came across two rolls of unopened Kodak Elite Chrome II 400. Not exactly sure why I had it — it could have been leftover from when we retired our film cameras at work, or I could have purchased it hoping to do more slide work. Looking at […]
Posted inPhotography
Photography: Power up – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Power-up – Shot on Fuji Provia 100F (RDP III) at EI […]
Posted inPhotography
Photography: It can wait – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. It can wait – Shot on Fuji Provia 100F (RDP […]
Posted inMedium format
Photography: Welcome – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Welcome – Shot on Fuji Provia 100F (RDP III) at EI […]
Posted inMedium format
Photography: Tear it down, tear it all down – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
Posted in35mm format
Photography: Don’t head towards the light – Shot on Kodak EKTACHROME E100G at EI 1600 (35mm format)
Shot on Kodak EKTACHROME E100G at EI 1600Color reversal (slide) film in 35mm formatCross processed and push processed 4-stopsRicoh GR1s + GR Lens 28mm f/2.8 lens Read the Kodak EKTACHROME E100G review here.
Posted inMedium format
Photography: Second choice – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide (push and cross-processing) Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Second choice – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format, cross processed, Hasselblad 2000FCW […]
Posted inMedium format
Photography: Hanging hopes out to dry – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide (push and cross-processing) Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Hanging hopes out to dryShot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 […]
Posted inOpinion
Stop cross processing your slide film: #Saynotoxpro
That’s right I said it, stop cross-processing lovely slide film. Slide film was designed to produce lovely true striking colours, with great contrast, sharpness and fine grain. It allowed photographers, artists and printers to see exactly what they were getting. Yet you want to xpro it to make it grainy, blurry and a complete smorgasbord […]
Posted inLomography Film Stock Reviews
Lomography Peacock X-Pro Slide 110 film: Just because it says X-PRO doesn’t mean you should
What did my mother tell me about talking to strange men on the internet? That’s right, I shouldn’t do it. Did I listen? That would be a no. Social media is a strange place and you can end up chatting to many different people on a whole range of subjects, but I digress. On this […]
Posted in5 Frames..., Articles
5 Frames… With Kodak EKTACHROME 160T (EI 100-150 / XPRO / 35mm format / Zenit TTL)
Because it couldn’t just be 160T, that’d be too easy.
Kodak EKTACHROME 160T, was one of the three speeds of tungsten-balanced slide film that Kodak produced until 2013 or so, and you can still find plenty of it around
Posted inDarkroom
Cinematic storytelling part 3: developing motion picture film
Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.
Posted inDarkroom
Cinematic storytelling part 2: motion picture film, print film and chemistry
In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.
Posted inDarkroom
Cinematic storytelling part 1: an overview of motion picture film and still photography
This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself.
Through this article and the
Posted inMedium format, Photography
Photography: On point – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
On point
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Posted inMedium format, Photography
Photography: Wow, what a difference! – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Wow, what a difference!
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Posted inArticles
Ready to roll – Shot on Fuji Velvia 100 RVP100 at EI 100 (35mm format)
Ready to roll
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal film in 35mm format
Cross processed
Read the Fuji Velvia 100 (RVP 100) review here.
Posted in35mm format, Darkroom printing, Photography
Photography: Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
Tanked
Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Posted in5 Frames..., Articles, Darkroom printing
5 Frames… With Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220)
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.
