Tag: Carl Zeiss
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5 Frames… Of Querétaro at dawn on Kodak VISION3 500T 5219 and a Hasselblad 503CX (120 Format / EI 500 / Distagon C 50mm f/4)
For a long time I wanted to use motion picture film, I found myself buying Cinestill 800T for the convenience of developing but after doing some research I found that it is not difficult to develop motion picture film with C-41 chemistry. So I bought some rolls of medium format Kodak VISION3 500T (5219) for…
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5 Frames… On a Zeiss Ikon Nettar 517/16 and Fuji Pro 400H (120 Format / EI 400)
It all started a year or so ago now. I am a newcomer to the art of photography and I have now collected quite a few pieces of digital kit. I particularly enjoy sea and landscape photography, especially at dawn when there are very few people about. I am also lucky in that I live…
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5 Frames… Of Dundee on Fomapan 100 Classic and a Zeiss Ikon Contina LK (35mm / EI 100)
The woman with the mobile phone must think I’m creepy. Or possibly daft. Perhaps both. She is sat on a bench in the sunshine, having a chat with a friend, and I am stalking around the arches of the building with a camera as old as I am. Precisely, as old as I am, in…
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Photography: Chime / 引磬 / Yǐn Qìng – Shot on Lomography Color Negative 100 at EI 100 (35mm format)
Shot on Lomography Color Negative 100 at EI 100,Color negative film in 35mm format,CONTAX AX, Carl Zeiss Sonnar T* 135mm f/2.8
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Box of Magic: The Zeiss Ikon Box Tengor 56/2
This post has been a long time coming as well. Seems as though I have a backlog of ideas to work through, so bear with me. I’ve always had some sort of junk box camera kicking round for decoration, and the few times I’ve used them the results have been a bit of a joke…
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5 Frames… With Rollei CR200 (EI 200 / 35mm / XPRO / Zeiss Ikon ZM)
This film has very few of the attributes we generally associate with color reversal films, namely: fine grain and beautifully balanced vibrant colors.