Tag: Canon Serenar 50mm f/1.5
-
Photography: Triple threat – Shot on ILFORD SFX 200 at EI 200
Shot on ILFORD SFX 200 at EI 200Black and white negative film in 35mm formatLeica M6 TTL 0.85 + Canon Serenar 50mm f/1.5 Development notesKodak HC-110: 1+31(B), 20°C/68°F, 09:00 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
-
Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at the wrong time. When the mist cleared a second or two after I hit the tarmac, I found myself with my right arm aloft, still holding a new to me…
-
Photography: It’s all theatre – Shot on Kodak Portra 160 at EI 160 (35mm format)
It’s all theatre Shot on Kodak Portra 160 at EI 160 Colour negative film in 35mm format Leica M6 TTL 0.85 + Canon S Serenar 50mm f/1.5
-
Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format Over processed one stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute
-
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200 (35mm format)
Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
-
Photography: Urgent business – Shot on Cinestill 800T (35mm)
Urgent business Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
-
Photography: Down the canal – Shot on Cinestill 800T (35mm)
Down the canal Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
-
Photography: Just a small one – Shot on Cinestill 800T at EI 800 (35mm format)
Just a small one Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
-
Photography: Immersed – Shot on Cinestill 800T at EI 800 (35mm)
Immersed Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
-
Photography: I don’t – Shot on Kodak Tri-X 400 at EI 400 (435mm)
I don’t Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Overdeveloped two stops (N+2) Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
-
Photography: No loitering – Fuji Neopan 400 (35mm)
No loitering Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
-
Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format
-
EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
-
EMULSIVE 52 Rolls 2016 – Week 01-05 update
Hello one and all! It’s been some time coming but I’m ready to share my 52 Rolls work to date for 2016.
-
Photography: Two-tone – Shot on Fuji NEOPAN 400 at EI 200 (35mm format)
Two-tone Shot on Fuji Neopan 400 at EI 200Black and white negative in 35mm formatOver expose one stop and push processed two stops. Two-toneFuji Neopan 400 shot at EI 200. Black and white negative in 35mm format.