Canon Serenar 50mm f/1.5
Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the...
Photography: It’s all theatre – Shot on Kodak Portra 160 at EI 160 (35mm format)
It's all theatre
Shot on Kodak Portra 160 at EI 160
Colour negative film in 35mm format
Leica M6 TTL 0.85 + Canon S Serenar 50mm f/1.5
Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking
Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200 (35mm format)
Shrimping
Shot on Agfa Vista Plus 200 at EI 200
Color negative film in 35mm format
Read the Agfa Vista Plus 200 review
Photography: Urgent business – Shot on Cinestill 800T (35mm)
Urgent business
Shot on Cinestill 800T at EI 800
Color motion picture negative in 35mm format
Photography: Down the canal – Shot on Cinestill 800T (35mm)
Down the canal
Shot on Cinestill 800T at EI 800
Color motion picture negative in 35mm format
Photography: Just a small one – Shot on Cinestill 800T at EI 800 (35mm format)
Just a small one
Shot on Cinestill 800T at EI 800
Color motion picture negative in 35mm format
Photography: Immersed – Shot on Cinestill 800T at EI 800 (35mm)
Immersed
Shot on Cinestill 800T at EI 800
Color motion picture negative in 35mm format
Photography: I don’t – Shot on Kodak Tri-X 400 at EI 400 (435mm)
I don't
Shot on Kodak Tri-X 400 at EI 400
Black and white negative film in 35mm format
Overdeveloped two stops (N+2)
Read the Kodak Tri-X 400 review here.
...and don't forget about the Tri-X 400 push processing guide!
Photography: No loitering – Fuji Neopan 400 (35mm)
No loitering
Shot on Fuji Neopan 400 at EI 400
Black and white negative film in 35mm format
Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Photography: At speed – Agfa Precisa CT 100 (35mm)
At speed
Agfa Precisa CT 100 shot at EI 100
Color reversal (slide) film in 35mm format
Cross processed
EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
EMULSIVE 52 Rolls 2016 – Week 01-05 update
Hello one and all!
It's been some time coming but I'm ready to share my 52 Rolls work to date for 2016.
Photography: Two-tone – Shot on Fuji NEOPAN 400 at EI 200 (35mm format)
Two-tone
Shot on Fuji Neopan 400 at EI 200Black and white negative in 35mm formatOver expose one stop and push processed two stops.
Two-toneFuji Neopan 400 shot at EI 200. Black and white negative in 35mm format.
