Canon Serenar 50mm f/1.5


Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

by

In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at …

Read moreLearning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

No smoking - Shot on Fuji NEOPAN 400 at EI 400. Black and white negative film in 35mm format. Over processed one stop.

Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)

by

No smoking

Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute

From below - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.

Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)

by

From below

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

Dripping red - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.

Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)

by

Dripping red

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

I don't - Shot on Kodak Tri-X 400 at EI 400. Black and white negative film in 35mm format.

Photography: I don’t – Shot on Kodak Tri-X 400 at EI 400 (435mm)

by

I don’t

Shot on Kodak Tri-X 400 at EI 400
Black and white negative film in 35mm format
Overdeveloped two stops (N+2)

Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!

&nbsp

Two-tone - Fuji Neopan 400 shot at ISO 200. Black and white negative in 35mm format Push processed one stop.

Photography: Two-tone – Shot on Fuji NEOPAN 400 at EI 200 (35mm format)

by

Two-tone

Shot on Fuji Neopan 400 at EI 200Black and white negative in 35mm formatOver expose one stop and push processed two stops.

Two-toneFuji Neopan 400 shot at EI 200. Black and white negative in 35mm format.