film.photography
It’s a jumper
Shot on Bergger Pancro 400 at EI 200
Black and white negative film in 120 format shot as as 6×6
Orange #21 filter, Hasselblad Planar F 80 F/2.8
Pyrocat-HD 1:2:100
 
Bamboo bubbles Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, Hasselblad Planar F 80 F/2.8 Pyrocat-HD 1:2:100
The way through Shot on Bergger Pancro 400 at EI 200Black and white negative film in 120 format shot as 6x6Orange #21 filter, Hasselblad Planar F 80 F/2.8Pyrocat-HD 1:2:100
The gateway
Shot on Bergger Pancro 400 at EI 200
Black and white negative film in 120 format shot as 6×6
Orange #21 filter, Hasselblad Planar F 80 F/2.8
Pyrocat-HD 1:2:100
It’s about time to wrap up the part of this series that covers Bergger’s 35mm Pancro 400 film with something a bit special: reversal development results.
Before you start scratching your head or disappear altogether, allow me a minute or
If you’ve been following along, you’re probably wondering what happened to part four of this series.
Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you’ve come to know and love.
In case you’re new to the
Fluff monster
Shot on Bergger Pancro 400 at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 1-stop
UPDATE: Part three, EI 1600 bracketed +/- 1 stop is here.
UPDATE: Part two: EI 800 bracketed +/- 1 stop is hereRead part two of this series, exploring Pancro 400 shot at EI 800 and bracketed +/- 1 stop here!
You may have seen this recent article covering all the
2017 has been a bumper year for film photography so far! This article provides a living record of all the new films announced in 2017.
Chris Maliga’s work has been displayed up and down the US. His work is haunting, can be claustrophobic and often leaves the viewer with a feeling of an image half seen or absorbed.
