Focal Length Feud: 28mm vs 35mm for Telling a story – by David Babaian and Simon King
Two street photographers make their case for their preferred wide-angle focal length, explaining what works to fulfill their respective vision.
Two street photographers make their case for their preferred wide-angle focal length, explaining what works to fulfill their respective vision.
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at …
Read moreLearning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.
Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110
Twins
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Condensed
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Royalty
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
UPDATE 01 2017-04-27: Added production specifications
Standing on the shoulders of Hamish Gill’s early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I’m here to offer my thoughts on one of the very first copies