Tag: 6×6 Aspect Ratio
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Photography: Don’t fret – Kodak EKTACHROME 100VS – E100VS (120)
Don’t fret Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Capped – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Capped Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Focal point – Fuji Provia 400X – RXP (120)
Focal point Shot on Fuji Provia 400X (RXP) at EI 1600 Color reversal (slide) film in 120 format shot as 6×6 Push processed two stops
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Photography: Crisp – Shot on Kodak T-MAX 400 – TMY-2 (120)
Crisp Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Waiting for the count – Shot on Cinestill 800T at EI 800 (120 format)
Waiting for the count Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as 6×6
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Photography: Crease – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Crease Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Halfway there – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Halfway there Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Low tide – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Low tide Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Ant bridge – Shot on Kodak EKTACHROME 100VS at EI 200 (120 Format)
Ant bridge Shot on Kodak EKTACHROME 100VS at EI 200. Color reversal (slide) film in 120 format shot as 6×6. Push processed 1-stop, cross processed.
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Photography: Nameless launch – Kodak T-MAX 100 (120)
Nameless launch Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6 Orange 21 filter
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Photography: Down the middle – Shot on Kodak Portra 160NC at EI 100 (120 format)
Down the middle Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Number 66 – Shot on Kodak Portra 160NC at EI 100 (120 format)
Number 66 Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Down time – Shot on Kodak Portra 160NC (120)
Down time Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Inside the lion’s mind – Cinestill 800T (120)
Inside the lion’s mind Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as 6×6
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Photography: All spent – Kodak Portra 160NC (120)
All spent Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Small worlds #01 – Shot on Fuji Velvia 50 RVP50 (120 format)
Small worlds #01 Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Venn – Shot on Rollei Superpan 200 at EI 200 (120 format)
Venn Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Black and white reversal development Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
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Photography: Buoy oh buoy! – Fuji Provia 100F – RDP III (120)
Buoy oh buoy! Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Succulent display – Shot on Kodak Portra 400VC at EI 200 (120 format)
Succulent display Shot on Kodak Portra 400VC at EI 200. Color negative film in 120 format shot as 6×6.
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Photography: Shoreline – Shot on Kodak EKTACHROME Professional Plus 100 – 6005 at EI 100 (120 format)
Shoreline Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100. Color reversal (slide) film in 120 format shot as 6×6.
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