Tag: 6×6 Aspect Ratio
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Photography: Dried out – Shot on Kodak T-MAX 100 TMX at EI 100 (120 format)
Dried out Shot on Kodak T-MAX 100 (TMX) at EI 100. Black and white negative film in 120 format shot as 6×6.
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Photography: A stitch in time – Kodak Portra 160NC (120)
A stitch in time Shot on Kodak Portra 160NC at EI 160 Color negative film in 120 format shot as 6×6
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Photography: 50/50 – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
50/50 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Spring buds #02 – Fuji Provia 400X – RXP (120)
Spring buds #02 Shot on Fuji Provia 400X (RXP) at EI 800 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 32E 1-stop push
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Photography: Purrrple – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Purrrple Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Hasselblad 32E Push processed 1-stop Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Spring buds #01 – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Spring buds #01 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Hasselblad 32E Push processed 1-stop Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Photography: Browsing – Shot on CineStill 800T at EI 800 (120 format)
Browsing Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6
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Photography: I choose you – CineStill 800T (120)
I choose you Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6
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Photography: Sex shop – CineStill 800T (120)
Sex shop Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6
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Photography: Close attention – Shot on CineStill 800T at EI 800 (120 format)
Close attention Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6
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Photography: Tones – Konica Infrared 750 (120)
Tones Shot on Konica Infrared 750 at EI 8 Black and white infrared film shot as 6×6 Red #25 filter
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Photography: Tear it down…tear it all down – ILFORD HP5 PLUS (120)
Tear it down…tear it all down ILFORD HP5 PLUS shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push Processed 1+1/3 stops Read the ILFORD HP5 PLUS review.
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Photography: Eye eye – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Eye eye Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad E16 extension tube (0.7 stop compensation)
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Photography: Tivolina – Shot on Fomapan R 100 at EI 100 (120 format)
Tivolina Shot on Fomapan R100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Split #07 – Shot on Fomapan R 100 at EI 100 (120 format)
Split #07 Shot on Fomapan R 100 at EI 100Black and white negative film in 120 format shot as 6×6 SplitShot on Fomapan R100 at EI 100.Black and white negative film in 120 format shot as 6×6.
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Photography: Just a peek – Kodak Vericolor III VPS 6006 (120)
Just a peek Kodak Vericolor III (VPS 6006) shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)
Vernicular rising Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Porka #01 – Shot on Kodak BW400CN at EI 400 (120 format)
Porka #01 Shot onKodak BW400CN at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Gotta catch ’em all – Shot on Fuji Velvia 50 RVP50 (120 format)
Gotta catch ’em all Fuji Velvia 50 (RVP 50) shot at EI 50 Color reversal (slide) film in 120 format shot as 6×6
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Photography: The Big Bad Wolf – Rollei Ortho 25 (120)
The Big Bad Wolf Rollei Ortho 25 shot at EI 25 Black and white negative film in 120 format shot as 6×6
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