Tag: 6×6 Aspect Ratio
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Photography: It’s a jumper – Shot on Bergger Pancro 400 at EI 200 (120 format)
It’s a jumper Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, Hasselblad Planar F 80 F/2.8 Pyrocat-HD 1:2:100  
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Photography: Bamboo bubbles – Shot on Bergger Pancro 400 at EI 200 (120 format)
Bamboo bubbles Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, Hasselblad Planar F 80 F/2.8 Pyrocat-HD 1:2:100
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Photography: The way through – Shot on Bergger Pancro 400 at EI 200 (120 format)
The way through Shot on Bergger Pancro 400 at EI 200Black and white negative film in 120 format shot as 6×6Orange #21 filter, Hasselblad Planar F 80 F/2.8Pyrocat-HD 1:2:100
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Photography: The gateway – Bergger Pancro (120)
The gateway Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as 6×6 Orange #21 filter, Hasselblad Planar F 80 F/2.8 Pyrocat-HD 1:2:100
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Photography: Derased – Kodak EKTACHROME 100VS – E100VS (120)
Derased Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Hand-stitched quality – Rollei Retro 80S (120)
Hand-stitched quality Shot on Rollei Retro 80S at EI 80 Black and white negative film in 120 format shot as 6×6
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Photography: The stars above – Shot on Kodak Portra 400 at EI 400 (120 format)
The stars above Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Salarymen – Kodak Portra 400 (120)
Salarymen Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Tinkle time – Shot on Kodak Portra 400 at EI 400 (120 format)
Tinkle time Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: #ChickenAF – Shot on Kodak EKTACHROME 100VS – E100VS (120 format)
#ChickenAF Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)
Paddy Whacker Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: I made this – Fuji Velvia 100 – RVP100 (120)
I made this Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Rotation – Shot on Kodak AEROCHROME III 1443 (120)
Rotation Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Lookout – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Lookout Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Candlesticks – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Candlesticks Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: BE&ER MOVIES – Kodak Portra 400VC (120)
BE&ER MOVIES Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6×6
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Photography: Shrooming – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Shrooming Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.
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Photography: Spent – Kodak EKTACHROME 200 – E200 (120)
Spent Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.
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Photography: Hung to dry – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Hung to dry Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.
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