Tag: 6×6 Aspect Ratio
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Photography: Blue bolt – Shot on Kodak Portra 100T at EI 100 (120 format)
Blue bolt Shot on Kodak Portra 100T at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Skins – Shot on Fuji Pro 160NS at EI 400 (120 format)
Skins Shot on Fuji Pro 160NS at EI 400 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Side entrance #01 – Shot on Kodak Portra 400 at EI 400 (120 format)
Side entrance #01 Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
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Photography: Clipped – Shot on ILFORD XP2 Super (120)
Clipped Shot on ILFORD XP2 Super at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Nice pins – Shot on Kodak Portra 400VC (120)
Nice pins Shot on Kodak Portra 400VC at EI 320 Color negative film in 120 format shot as 6×6
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Photography: Small hot chillies – Shot on Lomography Color Negative 400 (120)
Small hot chilies Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Offaly good – Shot on Lomography Color Negative 400 (120)
Offaly good Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Wild pig – Shot on Lomography Color Negative 400 (120)
Wild pig Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Strung up – Shot on Lomography Color Negative 400 (120)
Strung up Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Snack time – Shot on Lomography Color Negative 400 (120)
Snack time Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Back street mural – Shot on Kodak Portra 160VC (120)
Back street mural Shot on Kodak Portra 160VC at EI 100. Color negative film in 120 format shot as 6×6.
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Photography: Tank slapped – Shot on Fuji Provia 100F – RDP III (120)
Tank slapped Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Off center – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Off center Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Absorbed – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Absorbed Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)
Pre-exposed Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6 XPRO
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Photography: Afloat – Shot on Bergger Pancro 400 at EI 200 (120 format)
Afloat Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, Hasselblad Planar F 80 F/2.8 Pyrocat-HD 1:2:100
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Photography: Final game – JCH Streetpan 400 (120)
Final game Shot on JCH Streetpan 400 at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Separated – JCH Streetpan 400 (120)
Separated Shot on JCH Streetpan 400 at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: All the way up – Shot on Bergger Pancro 400 at EI 200 (120 format)
All the way up Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, Hasselblad Planar F 80 F/2.8 Pyrocat-HD 1:2:100