film.photography
On point
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Wow, what a difference!
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
My spot
Shot on Fuji Provia 100F (RDP III
View no more
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×45
Push processed three stops
Read the full ILFORD HP5 PLUS review here.
4x
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1+1/3 stops
Read the full ILFORD HP5 PLUS review here.
Unhinged #01
Shot on Kodak Ektar 100 at EI 100
Color negative film in 120 format shot as 6×4.5
Hello Cooper
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 120 format shot as 6×4.5
Read the Fuji Provia 100F (RDP III) review here.
Under the eaves
Shot on Ilford Delta 3200 Professional at EI 1600
Black and white negative film in 120 format shot as 6×4.5
Orange #21 filter
Scarred
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1+1/3 stops
Drunk
Lomochrome Turquoise XR 100-400 shot at EI 50
Color negative film in 120 format shot as 6×4.5
Shoes off at the door please
Fuji Pro 400H shot at EI 400
Color negative film in 120 format shot as 6×4.5
2x Teleconverter
So long chaps!
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1+1/3 stops
Oculus
Kodak T400CN shot at EI 320
Color black and white film in 120 format shot as 6×4.5
Kodak Verichrome Pan (VP120) shot at EI 100
Black and white negative film shot in 6×4.5 format
Expired
I’ll be talking about the least talked about model in a criminally underrated brand….the Bronica GS1.
Fuji Velvia 50 (RVP50) shot at EI50
Color reversal (slide) film in 120 format shot as 6×4.5
Drying off
Shot on Kodak Vericolor III (VPS 6006) at EI 100
Color negative film in 120 format shot as 6×6
Fuji Velvia 50 (RVP50) shot at EI50
Color reversal (slide) film in 120 format shot as 6×4.5
Fuji Velvia 100F (RVP100F) shot at ISO 100
Color reversal (slide) film in 120 format shot as 6×4.5
