Tag: 6×4.5 Aspect Ratio
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Photography: Have it your way – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Have it your way Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the
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Photography: R&R – Shot on Fuji Provia 100F – RDP III (120 format)
R&R Shot on Fuji Provia 100F (RDP
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Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Any day now… – Fuji Pro 400H (120)
Fuji Pro 400H shot at ISO400 Color negative film in 120 format shot as 6×4.5
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Photography: Retirement life – Shot on Lomography Redscale XR 50-200 (120)
Retirement life Shot on Lomography Redscale XR 50-200 at EI 200 Color redscale negative in 120 format shot as 6×4.5
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Photography: Slick – Shot on Fuji Pro 400H at EI 400 (120 format)
Slick Fuji Pro 400H shot at ISO200 Color negative film in 120 format shot as 6×4.5 Over exposed 1-stop
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Photography: Patched – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Patched Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops Read the full ILFORD HP5 PLUS review here.
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Photography: Coffee run – Lomography Lomochrome Purple XR 100-400 at EI 200 (120 format)
Coffee run Lomography Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 120 format shot as 6×4.5
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Photography: Swapping details – Fuji Pro 400H (120)
Fuji Pro 400H shot at ISO400 Color negative film in 120 format shot as 6×4.5
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Photography: Air roots #02- Shot on Fuji Acros 100 (120)
Air roots #01 Shot on Fuji Acros 100 at EI 100 Black and white negative film in 120 format shot as 6×4.5
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Photography: Fizz (aka “after the rain”) – Shot on Rollei RPX 400 at EI 400 (120 format)
Fizz (aka “after the rain”) Shot on Rollei RPX 400 at EI 400 Black and white negative film in 120 format shot as 6×4.5
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Photography: Persici blossoms – Shot on Fuji Pro 400H at EI 400 (120 format)
Persici blossoms Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×4.5 Hasselblad Planar 80mm f/2.8 – E16 macro extension tube
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Photography: Cracking up – Shot on Kodak Portra 400 at EI 1600 (120 format)
Cracking up Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×4.5 Push processed two stops
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Photography: Auburn shoots – Shot on Fuji Pro 160C at EI 100 (120 format)
Auburn shoots Fuji Pro 160C shot at EI 100 Color negative film in 120 format shot as 6×4.5
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Photography: Whiter than white – Ilford HP5+ (120)
Whiter than white Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops
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Photography: Urdhva mukha śvānāsana / upward facing dog – Shot on Kodak T-MAX 400 at EI 400 (120 format)
Urdhva mukha śvānāsana / Upward facing dog Kodak T-MAX400 shot at EI 400 Black and white negative film in 120 format shot as 6×4.5
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Photography: Inflorescence – Shot on Kodak AEROCHROME III 1443 (120)
Inflorescence Shot on Kodak AEROCHROME III 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×4.5 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Savaged – Kodak Portra 400 (120)
2015-08-11 – Savaged Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×4.5
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Photography: Calm – Kodak Portra 400 (120)
Calm Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6