Tag: 35mm Format Film
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Photography: Burnt guardian – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Burnt guardian Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 Color reversal (Slide) film in 35mm format
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Photography: Unhinged #02 – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Unhinged Shot on Fuji Premium 400 at EI 400 Color negative film in 35mm format
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Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Child-friendly facilities – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Child-friendly facilities Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Scratch my back… Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5
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Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Innovation Tower Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse  
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Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal
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Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute
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Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal
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Photography: Zero – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Zero Shot on Kodak ColorPlus 200 at EI 200 Color negative film in 35mm format
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5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Leica M2)
It must be 30 years since I’ve used ILFORD FP4 PLUS, of course, it was plain FP4 in those days (I stopped using it before the PLUS arrived in 1990).
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Photography: Mirror finish – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Mirror finish Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Bike share Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: In a sea of oil – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
In a sea of oil Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Split #06 Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format.
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Photography: Resident’s association – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Resident’s Association Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format
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Photography: Street rider – Shot on Rollei Infrared 400 at EI 400 (35mm format)
Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
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Photography: Cotton candy – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Cotton candy Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)
Beat Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
