Tag: 35mm Format Film
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Photography: Chrysalised – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Chrysalised Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.
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Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Holga 120 PAN + Schneider Angulon 90mm f/6.8 Read the ILFORD FP4 PLUS review
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Photography: Seat to seat – Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 (35mm format)
Seat to seat Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 EI 400 Color negative film in 35mm format
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Photography: Off peak – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Off peak Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: The moon in her hands – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
The moon in her hands Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format
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Photography: Split #05 – Shot on ILFORD Delta 100 Professional at EI 800 (35mm format)
Split #05 Shot on ILFORD Delta 100 Professional at EI 800 Black and white negative film in 35mm format Push processed 3 stops
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Photography: By a nose – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm format)
By a nose Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
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Photography: SHOX – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
SHOX Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format.
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Photography: Cosy corner – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
Cosy corner Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format.
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Photography: Mud guard – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
Mudguard Shot on Kosmo Foto Mono 100 at EI 100 Black and white negative film in 35mm format
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Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)
Saw Shot on Kodak VISION3 250D (5207) at EI 500 Color negative motion picture film in 35mm format Push processed one stop
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Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Condensed Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Royalty Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format
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Photography: Lit – Shot on Bergger Pancro 400 at EI 200 (35mm format)
Lit Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 35mm format Reversal developed overexposed one-stop Read the Bergger Pancro 400 reviews
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Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop






