Tag: 35mm Format Film
-
Photography: LOSER – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
LOSER Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
-
Photography: Slumber – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
Slumber Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
-
Photography: Prayer vines – Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
Prayer vines Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
-
Photography: Alt skyline – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)
Alt skyline Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
-
Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format
-
Photography: Morning layers #02 – Shot on Kodak Portra 160NC at EI 100 (35mm format)
Morning layers #02 Shot on Kodak Portra 160NC at EI 100 Color negative film in 35mm format
-
Photography: Not a care in the world – Arista Premium 400 (35mm)
Not a care in the world Shot on Arista Premium 400 at EI 400 Black and white negative film in 35mm format Whaddya know. Arista Premium 400 is Kodak Tri-X 400.
-
Photography: To the beat of the same drum – Fuji Superia 1600 (35mm)
To the beat of the same drum Shot on Fuji Superia 1600 at EI 1600 Color negative film in 35mm format Developed in Rodinal (1+100 / 20c / 60:00)
-
Film stock review: Bergger Pancro 400 Part 2 – 35mm EI 800 (bracketed +/- 1 stop)
UPDATE: Part three, EI 1600 bracketed +/- 1 stop is here.
-
Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.
-
Photography: Light and shade – JCH Streetpan 400 (35mm)
Light and shade Shot on JCH Streetpan 400 at EI 12 Black and white negative film in 35mm format R72 720nm filter Read the JCH Streetpan 400 Infrared review here
-
Photography: Zip ties – Agfa CT Precisa 100 (35mm)
Zip ties Shot on Agfa CT Precisa 100 at EI 100 Color reversal (slide) film in 35mm format
-
Photography: Gimme that sh*t – Fuji Reala 100 (35mm)
Gimme that sh*t Shot on Fuji Reala 100 at EI 100 Color negative film in 35mm format
-
Photography: Dragon’s eye – Kodak Ultracolor 100 (35mm)
Dragon’s eye Shot on Kodak Ultracolor 100 at EI 100 Color negative film in 35mm format
-
Photography: Road hogs – Agfa Precisa CT 100 (35mm)
Road hogs Agfa Precisa CT 100 shot at EI 100 Color reversal (slide) film in 35mm format Cross processed
-
Photography: Built to last – Fuji 500T 8573 (35mm)
Built to last Fuji 500T 8573 shot at EI 500 Color motion picture film in 35mm format
-
Photography: One more coat – Kodak Ektar 100 (35mm)
One more coat Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format Push processed 2-stops
-
Photography: Nuthin’ but bokeh – Lomography Lomochrome Purple XR 100-400 (35mm)
Nuthin’ but bokeh Lomography Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 35mm format
-
Photography: In thought – ADOX Silvermax 100 (35mm)
In thought Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
-
Photography: Stop – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Stop Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
