I’ll admit my bias upfront: I adore the GA. This camera delivers sharp, perfectly exposed negatives with a minimum of fuss and worry.
Tag: 2020 – October
Posted inOpinion
Reframing The Question: a response to Clay Daly
Back in early January, CW Daly posted an article here on EMULSIVE asking, ‘Where to from here?’. The article generated a fair bit of discussion both here and on social media, with more than a few answers I bought my first SLR towards the end of the 1970s. I’ve kept going with photography ever since, […]
Posted in5 Frames..., Articles
5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter
The Fuji GS645S Professional was a camera I had an interest in ever since it was introduced back in 1984. It was a nice medium format camera that’s ready for anything with its “cow bar” that wrapped around the lens. The camera has a fixed 60mm f/4 lens with rangefinder focusing. Holding the camera normally, […]
Posted in5 Frames..., Articles
5 Frames… On a Finetta IV D and Kodak Gold 200 (35mm Format / EI 200 / Anastigmat Finetar 1 5/8″ f/4)
I came across the Finetta the same way I have acquired hundreds of other cameras, in a box with another camera that I was interested in. This box had a lot of odd photographic detritus, unused flashbulbs, filters that do not fit anything, the Voigtlander I bought it all for…and the Finetta. I was surprised […]
Posted inAdd to Queue...
Add to Queue: Interviewing Kyle McDougall
Kyle Mcdougall is a Canadian photographer who has both a YouTube channel and his own podcast, “Contact Sheet” where he has had some fantastic guests right from day 1. He has spent a lot of time in the US on a wide-ranging personal project, a few months in the UK during the lockdown and plans […]
Posted in5 Frames..., Articles
5 Frames… Around Hamilton on Kodak Portra 400 (35mm Format / EI 200 / Nikon FM2n)
Just before COVID-19 hit Australasia, I was a student starting a 3-month overseas internship in Hamilton, New Zealand. Being 8,500 km away from home, I had dragged along most of my photography gear along with me, 7 rolls of film included. What I didn’t realize then was that those 3 months would be reduced to […]
Posted in5 Frames..., Articles
5 Frames… With a new-to-me Seagull 4A-109 TLR (Kodak Portra 400 / 120 Format / EI 400)
Using a new-to-you camera is always a challenge; this was a specific challenge for me since I had never held a Twin Lens Reflex camera before this one. And, in terms of Seagull TLR’s, this Seagull 4A-109 with its SA-99 75mm f/3.5 lens is also rare. My biggest challenge wasn’t using the TLR itself, it […]
Posted inNews
Consumer motion picture ECN-2 film developer kits from QWD Lab: info and Q&A
Earlier this week Philadelphia-based QWD Lab released a brand new film developer kit made specifically for small-scale development of motion picture film at home in its native ECN-2 process. The new kit, dubbed simply the “QWD ECN-2 Kit”, comes in powder form (just add water) and will process at least 15 rolls of 35mm/36 exposure, […]
Posted in5 Frames..., Articles
5 Frames… Of portraits on Fujifilm Superia X-TRA 400 (35mm Format / EI 400 / Canon EOS 50E + Canon EF 50mm f/1.4)
First things first, I have to confess that I am 80% a digital shooter. It’s more convenient because I work mostly with models, and therefore, attention to detail is important, so I like to occasionally be able to check the results on the LCD screen. Recently, I did some cleaning up in my studio and […]
Posted in5 Frames..., Articles
5 Frames… From my first roll of slide film and a Minolta CLE + Minolta Rokkor-M 40mm f/2 (Kodak EKTACHROME 100 / 35mm Format / El 100)
These 5 frames are my first try at shooting a slide film. About 5 months ago I decided to start my journey into the film photography. And it was a love from the first touch I would say. The whole process from unpacking the film and putting it into the camera, to cocking the shutter, […]
Posted in5 Frames..., Articles
5 Frames… And a bit of luck with a Mamiya 645 PRo and Kodak Portra 400 (120 Format / EI 400 / Mamiya Sekor C 80mm f/2.8)
I wouldn’t say I’m a completely skeptical person. Superstition isn’t really my thing too. But when it comes to giveaways and raffles, sometimes I like to play the odds. With my Mamiya 645 Pro, that was the case. I saw a raffle online with three prizes and a few numbers at a reasonable price. The […]
Posted in5 Frames..., Articles
5 Frames… Of ILFORD Delta 400 Professional (120 Format / EI 400 / Yashica Mat-124G)
There was a time in my life when I shot nothing but film, never professionally but only for my pleasure. My weapons of choice were Nikon F3 for 35mm, a Yashica Mat-124G for 120 film and a Graflex Press 4-¼ x 3-¼ sheet film cameras. Then, came the digital age and like almost everyone else, […]
Posted inArticles
5 Frames… Of Type 103 H-Alpha Kodak Spectroscopic Film with a Canon EF + Canon FD 50mm f1.8 SC (35mm Format / EI 100)
I received a 100-foot roll of fifty-one year old Type 103 H Kodak Spectrographic Film in June 2020. Like the 1978 Canon EF with stock 50mm lens I used to shoot it, it was a gift. Having a reputation for loving old cameras and weird film means that sometimes people you barely know will send […]
Posted in5 Frames..., Articles
5 Frames… Of Polaroid 600 + SX-70 film on a Mamiya RB67 and a Rezivot Instant Film back
My Mamiya RB67 and I go back a long way, beside a dumpster at a Tim Horton’s (a donut and coffee shop for those of you not from Canada) where I bought her off of a guy who was selling cameras he picked up from studios that had gone bankrupt. She was heavily used and […]
Posted inWet plate collodion
Visualising the Unspeakable: Exploring Post-Traumatic Stress Disorder with wet plate photography
Even when the camera is focused on a single subject, photographic portraiture rarely, if ever, speaks with just one voice. It is this multifaceted layering, be it intentional or otherwise, that generates intrigue and keeps us coming back for another look, drawn to some inexplicable detail that refuses to sit quietly on the page. Historical […]
Posted in5 Frames..., Articles
5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC)
When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), e.t.c. And I have narrowed down my list to Kodak Ektar 100, Kodak Ultramax 400 and CineStill 800T as, from my own experience and preferences this specific trio covers all […]
Posted inNews
The second round of 2020 price increases rises for ILFORD and Kentmere products come into effect
Per an update notification issued in September, an increase of at least 5% on all photographic film and paper products will be passed from HARMAN Technology, producers of ILFORD, Kentmere and HARMAN products to the dealer/distributor chain effective October 16th 2020. Today’s increase is the second for 2020 and follows an (upto) 15% hike on […]
Posted in5 Frames..., Articles
5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100)
Like many, I started taking pictures using my father’s old camera, a hefty Nikon F2 and a super-fast Nikkor 55mm f/1.2 back in the late 90’s. And again like many — drawn by the instant gratification of seeing the results right away -– soon I switched to a digital camera (Leica Digilux 1). While stunned […]
Posted inScanners
The CAMERADACTYL Mongoose: A modern full-roll 35mm film scanner
A few months ago I was catching up with CAMERADACTYL’s Ethan Moses when we got to talking about projects that would have the most impact on the film photography community. I happened to mention my pet peeve: the lack of a modern equivalent to the Kodak Pakon, an automated full-roll film scanner. Fast forward to […]
Posted inArticles
5 Frames… In Lima, Peru on Kodak Portra 400 (35mm Format / EI 400 / Canon AE-1 Program + Canon FD 50mm f/1.8)
My mother cranked out family photos that would feel as at home in a gallery as they do in their cardboard box in the attic. If she never took a certain portrait of me in a diaper, cowboy boots, a ten-gallon hat, and a badge, the world might have forgotten how good of a sheriff […]
