Tag: 120 Format Film
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Photography: Skins – Shot on Fuji Pro 160NS at EI 400 (120 format)
Skins Shot on Fuji Pro 160NS at EI 400 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Side entrance #01 – Shot on Kodak Portra 400 at EI 400 (120 format)
Side entrance #01 Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
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Photography: Nice pins – Shot on Kodak Portra 400VC (120)
Nice pins Shot on Kodak Portra 400VC at EI 320 Color negative film in 120 format shot as 6×6
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5 Frames… With Fuji Reala 100 (EI 100 / 120 format / Mamiya 645 1000S)
Anyone who has seen my blog, or followed me on Twitter will know that I love to shoot a wide variety of film stocks either fresh or expired.
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Photography: Small hot chillies – Shot on Lomography Color Negative 400 (120)
Small hot chilies Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Offaly good – Shot on Lomography Color Negative 400 (120)
Offaly good Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Wild pig – Shot on Lomography Color Negative 400 (120)
Wild pig Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Strung up – Shot on Lomography Color Negative 400 (120)
Strung up Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Snack time – Shot on Lomography Color Negative 400 (120)
Snack time Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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5 Frames… With ILFORD Delta 3200 Professional (EI 3200 / 120 / Mamiya 645 1000S)
ILFORD Delta 3200 Professional is my favorite black and white film.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 / Rolleicord VB)
Kodak Ektar 100; it sounds so exotic and for me it delivers the kind of saturation that makes shooting colour film so fun, but without the reduced latitude that comes with shooting slide film.
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Photography: Back street mural – Shot on Kodak Portra 160VC (120)
Back street mural Shot on Kodak Portra 160VC at EI 100. Color negative film in 120 format shot as 6×6.
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Photography: First break – Shot on ILFORD XP2 Super (120)
First break Shot on ILFORD XP2 Super at EI 400 Black and white negative film in120 format shot as 6×6
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Photography: Tank slapped – Shot on Fuji Provia 100F – RDP III (120)
Tank slapped Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Off center – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Off center Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Hello Cooper – Shot on Fuji Provia 100F – RDP III (120)
Hello Cooper Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×4.5 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Absorbed – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Absorbed Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)
Pre-exposed Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6 XPRO
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Photography: Afloat – Shot on Bergger Pancro 400 at EI 200 (120 format)
Afloat Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 120 format shot as as 6×6 Orange #21 filter, Hasselblad Planar F 80 F/2.8 Pyrocat-HD 1:2:100