Tag: 120 Format Film
-
Photography: Air roots #02- Shot on Fuji Acros 100 (120)
Air roots #01 Shot on Fuji Acros 100 at EI 100 Black and white negative film in 120 format shot as 6×4.5
-
Photography: Cafe culture – Shot on Ilford Delta 400 Professional (120)
Cafe culture Shot on ILFORD Delta 400 Professional at EI 1600 Black and white negative in 120 format shot as 6×6 Push processed two stops
-
Photography: Big brother – Shot on Fuji Pro 400H (120)
Big brother Shot on Fuji Pro 400H at EI 50 Color negative film in 120 format shot as 6×6 Over exposed three stops
-
Photography: Derelict – Shot on Shanghai GP3 100 (120)
Derelict Shot on Shanghai GP3 100 at EI 400 Black and white negative film shot as 6×6 Push processed two stops
-
Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)
Given the elbow Shot on Rollei Superpan 200 at EI 400 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Zodiak-B 30/3.5 fisheye Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
-
Film stock review: Kodak AEROCHROME III color infrared film
Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.
-
Photography: Fizz (aka “after the rain”) – Shot on Rollei RPX 400 at EI 400 (120 format)
Fizz (aka “after the rain”) Shot on Rollei RPX 400 at EI 400 Black and white negative film in 120 format shot as 6×4.5
-
Photography: Persici blossoms – Shot on Fuji Pro 400H at EI 400 (120 format)
Persici blossoms Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×4.5 Hasselblad Planar 80mm f/2.8 – E16 macro extension tube
-
Photography: Flightpath – Shot on Kodak Portra 400 at EI 200 (120 format)
Flightpath Shot on Kodak Portra 400 at EI 200 Color negative film in 120 format shot as 6×6
-
Photography: Fan out – Shot on Kodak Tri-X 400 at EI 100 (120)
Fan out Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
-
Photography: Disintegrated – Shot on Kodak Portra 400 at EI 400 (120 format)
Disintegrated Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
-
Photography: Cracking up – Shot on Kodak Portra 400 at EI 1600 (120 format)
Cracking up Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×4.5 Push processed two stops
-
Photography: Railroaded – Shot on Kodak Ektar 100 at EI 100 (120 format)
Railroaded Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
-
Photography: Nestled in the hills – Shot on Kodak Ektar 100 at EI 100 (120 format)
Nestled in the hills Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
-
Photography: Golden bamboo – Shot on Fuji Veliva 100 RVP100 at EI 200 (120 format)
Golden bamboo Shot on Fuji Veliva 100 (RVP100) at EI 200 Color reversal (slide) film in 120 format shot at 6×6 Push processed one stop
-
Photography: Behind door #3 – Shot on Kodak VISION3 250D 5207 at EI 250 (65mm format)
Behind door #3 Kodak 250D (5207) shot at EI 250 Color motion picture film in 65mm format Hand cut and rolled as 120 format
-
Photography: Autumn’s arrival – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Autumn’s arrival Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as 6×6 Cross processed.
-
Photography: Fuchsia canopy – Shot on Kodak AEROCHROME III 1443 (120)
Fuchsia canopy Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×4.5 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME review  
-
Photography: Mirror mirror – Shot on Kodak TMAX 100 at EI 800 (120 format)
Mirror mirror Shot on Kodak TMAX 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
-
Photography: Luck of the damned – Fuji Acros 100 (120)
Luck of the damned Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format as 6×6 Push processed 2 stops
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
