So I got a new camera to play with—the Chinon CE II Memotron with quite a good lens. It was well past sunset so I thought about pushing a film I knew well enough anticipate the outcome. And I had a small project in mind: My beloved wife.
For sure, it wasn’t a piece of cake to talk my wife into that little photo series. Given the fact, that I’m fully aware of this transformation my wife faces most of the days, it’s still that time of the day she’s calling her very own time of tranquility. During that time I’m not even allowed nearby. After some efforts of persuasion she agreed to tolerate my camera even closer than 30 centimeters away from her face.
The pictures turned out quite well. I knew about the softness I would get with ILFORD HP5 PLUS pushed to 1600 — I developed in Kodak X-TOL which gives me nice grain I can tolerate, even love. As I shot with that lens fully open, some more softness showed up in the pics. The development of HP5 PLUS is as easy as it can get and it dries fully flat. Good for scanning.
~ Oliver Grimm
Submit your own 5 Frames With...
Get your 5 frames featured on EMULSIVE. Submit your 300-350 word article using this Google form. If you would prefer to submit another way, please use the @contact@ link at the top of the page.
This series is being produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories there.
Your turn: submit an article
EMULSIVE is all about promoting knowledge transfer across the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages: check out the submission guide.
If you like what you're reading you can help this passion project by heading on over to the EMULSIVE Patreon page. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.