Category: Darkroom printing
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Camera review: the Fuji Panorama GX617, a legendary panoramic behemoth
Beloved of landscape photographers, especially those involved with supplying images for calendars and home decor products both before and well into the digital camera era, the Fuji Panorama GX617 was the final iteration of Fuji’s legendary behemoth panoramic medium
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5 Frames… With Kodak Tri-X 400 (EI 400 / 120 format / Rolleicord Ia)
Finding Sieglinde Hefftner, my mother, seemed like a good way of trying out a recent addition to my evolving collection of film cameras. From the early 1940s to the early 1950s my mother worked at Harry Glocke’s Photo Studio
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Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Muckcatcher Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1 inversions
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5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon EOS5)
Once every couple of months, I throw a film into my old Canon EOS5 (the Plastic Fantastic) and follow my daughter around for the day, shooting the stuff she gets up to.
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Camera review: The Pentax 67
It’s a beast, this Pentax. It weighs a ton and it’s hard to hang on to. It’s slow, has a terrible synch speed and everything is in full stops.
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Silver craft: creating a fine print, from contact sheet to fiber
Creating a print is much more than simply setting up an enlarger, negative and some paper.
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An introduction to black and white darkroom printing
Black and white printing is (obviously) fun, and easy to get into.
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Getting to grips with darkroom printing using Caffenol (and alternatives) – Darkroom alchemy
Analog black and white film development and chicken soup. Enough internet for today? An unusual combination, but according to an article I found online, chicken soup can be used to develop film.