About a year ago I was feeling a bit in a rut creatively, and I always feel exercises help get my creative juices flowing. I needed to be more serendipitous with the camera, rather than photography being something I set out to do with a clear goal and then ultimately being let down if I couldn’t get a shot – this effectively involved my carrying a camera with me everywhere.
Through that act, I found myself inside a grocery store — somewhere I never really thought to take a camera before, which seems out of character for me, as I’m there almost weekly. Most stores these days always feel so manufactured and sterile, which I thought would add to the challenge of making it interesting.
It turned out that it was those very qualities that I was drawn to when photographing. The repetition of the products, the intense leading lines from the aisles and lights, strong typography, everything tidy and orderly, and of course the occasional solitary figure roaming the aisles as I was.
This was about a month before most shutdowns in the Northeastern United States started taking place, little did I know the part grocery stores were going to play for the next year during the ongoing pandemic. Looking back on these images already feels like looking at a different world, no masks and plenty of food on the shelves. You can almost sense the unease of what’s about to come in the lone, already socially distanced customers pictured.
To shoot I loaded up my XA2 with some ILFORD HP5 PLUS, set the meter to 800 and I was on my way to buy that week’s dinner and take some pictures. The XA2 is a great little camera, super pocketable. Its main feature is in its unobtrusiveness, you can get rather intimate shots without sticking out like a sore thumb like I tend to do with an SLR. Which made it perfect in a grocery store.
The XA2 sports three manual focus settings to worry about with rather vague distances and no viewfinder indication of focus. So it adds another step to the point and shoot process, but it’s still rather simplistic and easy to manage on the fly. It’s my favorite camera for casual concert/festival shots where they typically don’t allow even film SLRs.
You might be interested in these
These were developed in my usual soup of Kodak HC-110 dilution B (1+31) pushed to EI 800. I gotta give props to HP5 PLUS and Kodak HC-110 B. It’s such a great combo, and always consistent. It gives a solid tonal range and is great for pushing, providing negatives perfect for scanning and darkroom printing.
But more importantly, props to all the frontline workers being out in the thick of it doing the everyday jobs we need to keep the world moving, safe, healthy, and fed!
Want to submit your own 5 Frames...?
Get your 5 Frames featured by submitting your 350+ word article by this Google form or by sending an email via the contact link at the top of the page.
Share your knowledge, story or project
The transfer of knowledge across the film photography community is the heart of EMULSIVE. You can add your support by contributing your thoughts, work, experiences and ideas to inspire the hundreds of thousands of people who read these pages each month. Check out the submission guide here.
If you like what you're reading you can also help this passion project by heading over to the EMULSIVE Patreon page and contributing as little as a dollar a month. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.