In the beginning, there was film. My favorite emulsions for the decades starting in 1976, were slow speed Kodachrome (25 and 64) and Tri-X shot on a Canon F-1n. I fell in love with photography, descended into the dark room and stayed there. But years later, with the advent of the digital age, I flipped over to a Canon 5D mk II and sold my film kit thinking film was dead.

Recently, like many others, I decided to take a hiatus from digital and return to film photography. What a wonderful experience! I ordered a Leica MP just for the radical manual nature of the camera, it’s solid build, it’s utter simplicity and the slow good approach it encourages. And for the last nine months, I’ve essentially shot only with film again.

I decided to spend some serious quality time with a few new films to see how they would render in this more modern era of film / scanning highbred. I’d heard good things about Delta 100 and decided to commit to shooting it under various conditions.

 

 

Delta 100 is a very sharp film with very small grain that renders in a wonderfully filmic way. I shoot with a slight bias to overexposure, setting ISO at 80 and then metering mid-grey or on the subject with some contrast. Despite it’s sharp and contrasty look, the skies were too white for my taste with only a yellow filter. So I shot this roll with an orange filter with my Leica Summilux-M 50mm f/1.4 ASPH. You can see how that adds additional contrast as well as darkening the sky.

I shot these five in my home, Venice beach, CA. They represent a nice juxtaposition from the sun-drenched, color-driven experience that typifies the beach culture. I’m loving the Delta 100 in this context!

~ Roger Wojahn

 

 

Get involved: submit your 5 Frames With

Get your 5 frames featured here. You can submit your 300-350 word article using this form.

This series is being produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories there.

 

 

Write for EMULSIVE

EMULSIVE is all about knowledge transfer and developing more of it across the film photography community.

Help by contributing your thoughts, work and ideas to inspire others reading these pages: read this quick submission guide.

Lend your support

If you like what you’re reading you can help support EMULSIVE by heading on over to the EMULSIVE Patreon page and adding financial support from as little as $2 a month. As if that’s not enough, there’s also an EMULSIVE print and apparel store over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.

 

5 COMMENTS

    • Hey Christian. I send my film of to Richard’s Photo Lab in Valencia, CA. They use one developer and a dip and dunk process. I frankly don’t know more than that but their consistency and quality is excellent!

  1. I’ve heard it requires very careful development but I’m looking for a replacement for Acros now sadly discontinued. Any development notes for Delta 100?

    • I haven’t done any detailed comparisons between Ilford Delta 100 and FP4+, but for me the tonal range, fine grain and contrast of FP4+ make it a suitable replacement for Acros. For more technical details I’d be out of the conversation beyond stating that I like the results I can get from FP4+ souped in HC-110.

    • Hi Faraz. I hand my film of to Richard’s Photo Lab but I can say that I’ve experienced fairly good exposure latitude considering the slowness of the film.

Add your voice