Tag: ISO 3200
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Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Tread carefully Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
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Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110
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Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Condensed Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Royalty Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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5 Frames… With ILFORD HP5 PLUS (EI 3200 / 35mm format / Nikon F100)
My go to black and white film has always been ILFORD HP5 PLUS for its excellent versatility, I love the grain I get especially when pushing it.
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Photography: Under the eaves – Ilford Delta 3200 Professional (120)
Under the eaves Shot on Ilford Delta 3200 Professional at EI 1600 Black and white negative film in 120 format shot as 6×4.5 Orange #21 filter
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Photography: Racked – Kodak Tri-X 400 (120)
Racked Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Resurfaced – Shot on Kodak Tri-X 400 at EI 3200 (35mm)
Resurfaced Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)
Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Feeling pumped – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Feeling pumped ILFORD HP5 PLUS shot at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45 (N+3
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Photography: What can I help you with? – Ilford HP5+ (120)
What can I help you with? Shot on ILFORD HP5 PLUS at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed 3-stops
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EMULSIVE interview #37: I am Daniel J Schneider and this is why I shoot film
Today’s interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A.
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Photography: Big block – Eastman Double-X 5222 (35mm)
Big block Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200 Black and white negative film in 35mm format Push processed 4+2/3 stops
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
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Film notes: Kodak Tri-X 400 (400TX)
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
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Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.