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Author: EMULSIVE

Hallowed halls – Kodak 250D 5207 (35mm)

2015-08-04 – Hallowed halls Kodak 250D (VISION3 5207) motion picture film shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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I am Antonio Biagiotti and this is why I shoot film

Here we are with another interview for you all. This time we’re sitting down with the incredibly passionate Antonio Biagiotti. Hailing from Northern Italy, Antonio is a moslty medium format photographer working in 6×7 using his Pentax 67ii. Antonio is as enthusiastic about photography as he is passionate and has an immense body of work, which captures Italy’s beautiful countryside, as well as its urban sprawl. Over to you, Antonio.     Hi Antonio, what’s this picture, then? AB: I am very fond of this photograph! After seeing the image, many people ask me if I had intentionally caused the snow...

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Astroboy – Kodak 250D 5207 (65mm)

2015-03-03 – Astroboy Kodak VISION3 250D shot at EI 250 Color motion picture film in 65mm format shot as 6×4.5 Read the Kodak VISION3 250D review Bulk load your own 120 film       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Drifted – Kodak 200T 5213 (35mm)

2015-08-02 Drifted Kodak 200T (5213) shot at EI 200 Color motion picture film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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No parking – Ultrafine Xtreme 400 (120)

2015-08-02 – No parking Ultrafine Xtreme 400 shot at EI 400 Black and white negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Potted – Kodak Portra 400 (120)

2015-08-01 – Potted Kodak Portra 400 shot at EI 1600 Color negative film in 120 format shot as 6×6 Push processed two stops       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Recap #2: July 2015 – stepping up

Month two simply flew by…was it that fast for any one else? Thanks for all the support this month. We had some great feedback, interesting suggestions for the future; and some deserved and undeserved sarcastic comments – thanks for them all! Looking back, well…we’re sorry that we didn’t make true on the reviews we had wanted to release but they are in the pipeline and as ever, we’d appreciate your suggestions for the month ahead. This month we sent off (and received) quite a few #filmswap packages and we’ll hopefully be covering the results over the coming weeks. We’ve also got...

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Flip flopped – Shanghai GP3 100 (120)

2015-08-01 – Flip flopped Shanghai GP3 100 shot at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed four stops       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Birch – Fuji Acros 100 (120)

2015-07-31 – Birch Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Innerscape – Fuji 500T 8673 (35mm)

2015-07-30 – Innerscape Fuji 500T (8673) shot at EI500 Color negative motion picture film in 35mm format Expired film   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Follow the dragon – Shanghai GP3 100 (120)

2016-07-30 – Follow the dragon Shanghai GP3100 shot at EI 100 Black and white negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Extinguished – Shanghai GP3 100 (120)

2015-07-29 – Extinguished Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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I am Jonas Lundström and this is why I shoot film

Today we’re very happy to have the opportunity to interview the incredibly enthusiastic Sprocket-Shooting-Swede, Jonas Lundström! Jonas is a bit of a force of nature when it comes to experimenting with and talking about film and we’re looking forward to hear what he has to say. Let’s jump in!     OK Jonas, what’s this picture about? JL: It’s summer, I’m heading out to the archipelago and I’m feeling like some experimenting. Said and done, I took an old spool and paper from a 127 rollfilm I’d shot previously and loaded it with some 35mm color neg film. Knowing that the camera...

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Ride the big wheel – Eastman Double-X 5222 (35mm)

2015-07-29 – Ride the big wheel Kodak Double-X (5222) shot at EI 250 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Red Algae – Kodak AEROCHROME III 1443 (120)

2015-07-28 – Red Algae Kodak AEROCHROME III 1443 shot at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter     Especially for Marcus Didius Falco   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Boarded – Kodak EKTACHROME 100VS – E100VS (120)

Boarded Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Big block – Eastman Double-X 5222 (35mm)

27-07-2015 – Big block Kodak Double-X (5222) shot at EI 3200 Black and white negative motion picture film in 35mm format Push processed 4+2/3 stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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The pane – Ilford HP5+ (120)

27-07-2015 – The pane Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops Like this photo? Digital and physical media are available on request. Please share this image if you like it, or leave a message in the...

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Low EQ – Shanghai GP3 100 (120)

26-07-2016 – Low EQ Shanghai GP3 100 shot at EI 800 Back and white negative film in 120 format shot as 6×6 Push processed two stops   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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