Zenza Bronica ETRSi


5 Frames With... Kodak Tri-x 400 (EI 320 / 120 format / Zenza Bronica ETRSi) - by Jose Lucero

5 Frames… at the Fiesta de Santo Tomás with Kodak Tri-x 400 / 120 format / EI 320 / Zenza Bronica ETRSi) by José Lucero

Every year from the 13th to the 21st of December, the town of Chichicastenango in the Mayan highlands of Guatemala celebrates its yearly festival. The …

Read more5 Frames… at the Fiesta de Santo Tomás with Kodak Tri-x 400 / 120 format / EI 320 / Zenza Bronica ETRSi) by José Lucero

Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format - A new color negative favorite

Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format – A new color negative favorite

In 2019 Lomography announced the launch of a Kickstarter campaign to fund a brand new film emulsion: LomoChrome Metropolis XR100-400.

On assignment

EMULSIVE interview #212: I am Alys Tomlinson and this is why I shoot film

Welcome to the latest EMULSIVE interview, featuring none other than Alys Tomlinson, Sony World Photography Awards, Photographer of the Year 2018. There’s a lot to …

Read moreEMULSIVE interview #212: I am Alys Tomlinson and this is why I shoot film

Surbiton Station, Leica Standard with a Voigtlander Snapshot Skopar, Rollei Blackbird (think this has been discontinued but it was a lovely film)

EMULSIVE Interview #204: I am Richard Davies and this is why I shoot film

Plates, films, stars and scenes. I’ve been following today’s fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back in June 2015 …

Read moreEMULSIVE Interview #204: I am Richard Davies and this is why I shoot film

Revolog Kosmo (35mm) , Bronica ETRSi - Nils Karlson- Test Shots

Test shots: Revolog Kosmos (35mm) + Bronica ETRSi – by Nils Karlson

A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn’t joking, it was anything but orthodox.

Lilly Contact - Mask

EMULSIVE interview #107: I am Scott Barman and this is why I shoot film – NSFW

Before you scroll on, please be aware that today’s interview is decidedly Not Safe For Work.
Just in case you need some space, the interview starts below.
Scroll down when you’re ready.
 
 
I’m sitting down with Scott D

EMULSIVE interview #71: I am Seth Harwood and this is why I shoot film

We grabbed some time to bring you the thoughts and images of Seth Harwood, South Dakotan and night shooter extraordinaire.

There’s plenty of stunning work for you to absorb below, so without further ado, it’s over to Seth.

 

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Copyright - Jon Wilkening

EMULSIVE interview #66: I am Jon Wilkening and this is why I shoot film

Grab a tall drink and make yourself comfortable. It’s time for a little look into the journey of Jon Wilkening, producer and purveyor of the strangest and most mesmerizing pinhole photography I’ve ever been lucky enough to see – this

Unnoticed by Most: Bronica SQAi, 80mm, f11 at 1/30s on Ilford Delta 3200

EMULSIVE interview #55: I am Paul Berry and this is why I shoot film

Grab a coffee and a pack of your favorite biscuits, this is going to be a long and interesting read.