Voigtlander Color Skopar 21mm f/4


Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at …

Read moreLearning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85

Framed - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Framed

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

Up and to the right - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

The moon and the mountains - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

The moon and the mountains

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

&nbsp

Don't leave your sh1t at the beach - Shot on Kodak Ektar 100 at EI 100. Color negative film in 35mm format. Over processed one stop.

Photography: Don’t leave your sh!t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)

Don’t leave your sh1t at the beach

Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop.

 

 

 

Death Valley Approach #02 - Kodak EKTACHROME 100VS (E100VS) shot at EI 100. Color reversal (slide) film in 35mm format.

Photography: Death Valley Approach #02 – Kodak EKTACHROME 100VS – E100VS (35mm)

Death Valley Approach #02 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×12 Read the EKTACHROME …

Read morePhotography: Death Valley Approach #02 – Kodak EKTACHROME 100VS – E100VS (35mm)

Would you like younger looking skin? - Ilford FP4+ shot at EI 800. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Would you like younger looking skin? – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Would you like younger looking skin?
ILFORD FP4 PLUS shot at EI 800
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Read the ILFORD FP4 PLUS review here
 

 

Prayer gates - Kodak Double-X 5222 shot at EI 200. Black and white negative film in 35mm format. Push processed 1 stop.

Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)

Prayer gates

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop

 

 

 

 

 

Prayer gates - Kodak Double-X 5222 shot at EI 200. Black and white negative film in 35mm format. Push processed 1 stop.

Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)

Prayer gates

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop