Shot on Lomography Color Negative 400 at EI 400Color negative film in 35mm format Leica M6 TTL 0.85 and Voigtlander Color Skopar 21mm f/4
Tag: Voigtlander Color Skopar 21mm f/4
Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at the wrong time. When the mist cleared a second or two after I hit the tarmac, I found myself with my right arm aloft, still holding a new to me […]
Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Framed
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
The moon and the mountains
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Photography: Don’t leave your sh!t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Don’t leave your sh1t at the beach
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop.
Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop
Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop
Photography: Road hogs – Agfa Precisa CT 100 (35mm)
Road hogs
Agfa Precisa CT 100 shot at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Photography: Death Valley Approach #02 – Kodak EKTACHROME 100VS – E100VS (35mm)
Death Valley Approach #02 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×12 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
Photography: Would you like younger looking skin? – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Would you like younger looking skin?
ILFORD FP4 PLUS shot at EI 800
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Read the ILFORD FP4 PLUS review here
Photography: For whom the bell tolls – Rollei Infrared 400 (35mm)
For whom the bell tolls
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 35mm format
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Photography: To infinity – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
To infinity
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200
Black and white negative film in 35mm format