Tag: Rollei
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Photography: Chromed Sakura – Rollei CR 200 (120)
Rollei CR 200 shot at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Cross processed + 2x teleconverter
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EMULSIVE interview #67: I am Pierluigi Tolu and this is why I shoot film
Well then, who do we have here? I’m incredibly pleased to welcome today’s interviewee and new (re)entrant to the film photography world.
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Camera review: Rolleicord Vb (aka everything you ever wanted to know about a Rolleicord but were afraid to ask)
Diane Arbus, Vivian Maier, Imogen Cunningham, Fritz Henle and Richard Avedon all shot with a Rollei.
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Photography: Lionhead – Maco Eagle AQS 400 (35mm)
Lionhead Maco Eagle AQS 400 (Rollei Retro 400s) shot at EI320 Black and white negative film in 135 format
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Photography: Lightbox – Maco Eagle AQS 400 (Rollei Retro 400s)
Lightbox Maco Eagle AQS 400 (Rollei Retro 400s) shot at EI320 Black and white negative film in 135 format
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EMULSIVE interview #64: I am Robert L. Jones and this is why I shoot film
Describing himself as, “barely removed from being a baby-boomer”, I got to know of Robert and his work through the previously featured, Aimee Lower.
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Photography: Benz’d – Maco Eagle AQS 400 (Rollei Retro 400s)
Benz’d Maco Eagle AQS 400 (Rollei Retro 400s) shot at EI320 Black and white negative film in 135 format
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Photography: Your advertisement here – Rollei Infrared 400
Rollei Infrared 400 shot at ISO400 Black and white negative film in 35mm format
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Photography: Nuts to it all – Rollei RPX400
Rollei RPX400 shot at ISO800 Black and white negative film in 120 format shot as 6×6 Push processed one stop
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EMULSIVE interview #57: I am Shawn Mozmode and this is why I shoot film
We all like to dress up now and again but I personally draw the line at stripes, especially if they’re red.
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Photography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)
Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Cobbler – Shot on Rollei CR200 (120)
Cobbler Shot on Rollei CR200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)
Given the elbow Shot on Rollei Superpan 200 at EI 400 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Zodiak-B 30/3.5 fisheye Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
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Photography: Fizz (aka “after the rain”) – Shot on Rollei RPX 400 at EI 400 (120 format)
Fizz (aka “after the rain”) Shot on Rollei RPX 400 at EI 400 Black and white negative film in 120 format shot as 6×4.5
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EMULSIVE interview #28: I am Andrea Taurisano and this is why I shoot film
We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film
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Photography: Stake-out – Rollei Retro 400S (35mm)
Stake-out Rollei Retro 400S shot at EI 25 Black and white infrared-sensitive negative film in 35mm format R72 filter
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Photography: Quadrophenia – Rollei Infrared 400 (120)
Quadrophenia Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Intertwined – Shot on Rollei Infrared 400 at EI 25 (35mm format)
Intertwined Shot on Rollei Infrared 400 at EI 25 Black and white infrared sensitive film in 35mm format
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Photography: Spinning around – Rollei Infrared 400 (120)
Spinning around Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
