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Photography: Porthole – Shot on Rollei RPX 100 at EI 100...

Porthole Shot on Rollei RPX100 at EI 100 black and white negative film in 120 format shot as 6x6          

EMULSIVE interview #8: I am Bill McCarroll and this is why...

Today we managed to wedge ourselves into the hectic life of Bill McCarroll;

Photography: On the meter – Shot on Rollei Superpan 200 at...

On the meter Rollei Superpan 200 shot at EI 400 Black and white negative film in 120 format shot at 6x6 Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!      

Film notes: Rollei Superpan 200

Following on from my review and experimentation guide, here's a quick reference for Rollei Superpan 200.

Photography: Infra-fern – Shot on Rollei 400 Infrared at EI 25...

Infra-fern Rollei 400 Infrared shot at EI 25 with R72 filter. Back and white infrared-sensitive negative film in 35mm format.    

Photography: Pockmarked – Shot on Maco Eagle AQS 400 / Rollei...

Pockmarked Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI320 Black and white negative film in 135 format          

Experimenting with Rollei Superpan 200 (with bonus infrared)

Today I've decided to give you all a look at the kind of results you can expect from Rollei's Superpan 200 black and white film in 120 format.

Photography: Fixed motion – Shot on Rollei Superpan 200 at EI...

Fixed motion Shot on Rollei Superpan 200 at EI 400. Black and white negative film in 120 format shot as 6x6. Push processed one stop. Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!    

Film stock review: Rollei Superpan 200 black and white negative film...

Welcome to this review of Rollei Superpan 200 black and white film in 120 format.