Some great news to help round out the year! Pentax (now a division of Ricoh Imaging) is starting the development of new film cameras. Announced through a collection of videos, a mini-site and a press release today, the company states the project involves the “research and development of new PENTAX-brand film camera products” and is […]
Tag: Ricoh
Photography: A delivery in 4 parts… – Shot on JCH Streetpan 400 at EI 800 (35mm Format)
Shot on JCH Streetpan 400 at EI 80035mm format black and white film in 35mm formatPush processed 1-stop Development notesKodak HC-110: 1+47(E), 20°C/68°F, 11:30 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse A delivery in 4 parts… – Shot on JCH Streetpan 400 at EI 800 (35mm Format) A delivery in 4 parts… – […]
Photography: Don’t head towards the light – Shot on Kodak EKTACHROME E100G at EI 1600 (35mm format)
Shot on Kodak EKTACHROME E100G at EI 1600Color reversal (slide) film in 35mm formatCross processed and push processed 4-stopsRicoh GR1s + GR Lens 28mm f/2.8 lens Read the Kodak EKTACHROME E100G review here.
Photography: The crew’s back – Shot on Fujifilm ETERNA Vivid 250D (8546) at EI 250 (35mm Format)
Shot on Fujifilm ETERNA Vivid 250D (8546) at EI 250Color motion picture negative film in 35mm formatRicoh GR1v + Ricoh GR 28mm F/2.8
EMULSIVE’S most popular film camera reviews of 2020
Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to everyone who submitted their own reviews, and helped my with my own efforts this year cataloguing a series of exhaustive Leica M Camera guides! I’d love to hear from you […]
The Ricoh GR10: “piggy in the middle” GR sibling (plus GR1s comparison)
A year ago I was looking for the “ultimate film compact camera”, the Ricoh GR1 series, but I was somewhat afraid of what I’ve read on many websites: they’re fragile, they can’t be repaired (or at least, not easily and cheap), and I was scared of wasting more than 600€ that I could invest in […]
Ricoh GR1s vs Ricoh R1s: Is “premium” really worth the money?
Here’s a question you’ve probably asked yourself before: “Is it really worth paying for a premium compact 35mm camera when a lesser-known, lower spec’d camera can produce a comparable result?” To answer it, I decided to see if my “premium” Ricoh GR1s and not-so-premium Ricoh R1s were really as different as the marketing and internet […]
Photography: Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
Tanked
Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #04
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #03
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #02
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #01
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Photography: Last breath – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Last breath
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Photography: Mirror finish – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Mirror finish
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
Photography: Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Bike share
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
Photography: In a sea of oil – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
In a sea of oil
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Split #06
Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.
EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.
5 Frames… With Kodak Ektar 100 (EI 100 / 35mm format / Ricoh GR1s)
I’ve always had a bit of a love-hate relationship with Kodak Ektar 100. I love the sharpness, and the colors are awesome when they work, but for whatever reason, I have trouble with the conversions.
Thoughts: The life of a film camera; and all the lives it’s part of
This article isn’t on photography per se, it’s about cameras, it’s about our cameras.