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The Ricoh GR10: “piggy in the middle” GR sibling (plus GR1s...

A year ago I was looking for the "ultimate film compact camera", the Ricoh GR1 series, but I was somewhat afraid of...

Is “premium” really worth the money? Comparing the Ricoh GR1s and...

Here's a question you've probably asked yourself before: "Is it really worth paying for a premium compact 35mm camera when a lesser-known,...

Photography: Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3...

Tanked Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 Color reversal (slide) film in 35mm format Cross processed      

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Last breath – Shot on Kodak VISION3 250D 5207 at...

Last breath Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film    

Photography: Mirror finish – Shot on Lomography Lomochrome Purple XR 100-400 at EI...

Mirror finish Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format      

Photography: Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI...

Bike share Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format      

Photography: In a sea of oil – Shot on Lomography Lomochrome Purple...

In a sea of oil Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format      

Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI...

Split #06 Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format.      

EMULSIVE interview #172: I am Joy Celine Asto and this is...

It's a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.

5 Frames With… Kodak Ektar 100 (EI 100 / 35mm /...

I’ve always had a bit of a love-hate relationship with Kodak Ektar 100. I love the sharpness, and the colors are awesome when they work, but for whatever reason, I have trouble with the conversions.

Thoughts: The life of a film camera; and all the lives...

This article isn't on photography per se, it's about cameras, it's about our cameras.

5 Frames With… Ultrafine Red Dragon…de-redscaled (EI 320 / 35mm /...

In preparation for #BIFScale17, I picked up 5 rolls of Ultrafine Red Dragon 100.

Photography: Gimme that sh*t – Fuji Reala 100 (35mm)

Gimme that sh*t Shot on Fuji Reala 100 at EI 100 Color negative film in 35mm format        

Photography: Whatcha got? – Fuji Reala 100 (35mm)

Whatcha got? Fuji Reala 100 shot at EI 100 Color negative film in 35mm format      

Camera review: Me and my Ricoh GR1s Date by James Gifford-Mead

I work as full-time photographer during the week taking pictures for corporate companies and shooting events, so unfortunately, photography was becoming more and more like work.

EMULSIVE interview #64: I am Robert L. Jones and this is...

Describing himself as, "barely removed from being a baby-boomer", I got to know of Robert and his work through the previously featured, Aimee Lower.