Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride
Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format
Photography: Latch key kid – Shot on Agfa Scala 200X at EI 200 (35mm format)
Latch key kid
Shot on Agfa Scala 200X at EI 200
Black and white reversal (slide) film in 35mm format
Reversal processed
Photography: Bird bar – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Bird bar
Shot on Silberra ULTIMA 200 at EI 200
Black and white negative film in 35mm format
Photography: The Buddha of Immeasurable Life and Light – Shot on Agfa Scala 200X at EI 200 (35mm format)
The Buddha of Immeasurable Life and Light
Shot on Agfa Scala 200X at EI 200
Black and white reversal (slide) film in 35mm format
Reversal processed
Photography: No flyers – Shot on Kodak Plus-X 125 (35mm)
No flyers
Shot on Kodak Plus-X 125 at EI 100
Black and white negative film in 35mm format
Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Panels
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Searching for an open door – Shot on Silberra ULTIMA 200 (35mm)
Searching for an open door
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Lines – Shot on Silberra ULTIMA 200 (35mm)
Lines
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Top entrance – Shot on Silberra ULTIMA 200 (35mm)
Top entrance
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Barred – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Barred
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Split #04 – Fuji Provia 100F – RDP IIII (35mm)
Split #04
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Photography: Split #03 – Fuji Provia 100F – RDP IIII (35mm)
Split #03
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Photography: Split #02 – Fuji Provia 100F – RDP IIII (35mm)
Split #02
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Photography: Split #01 – Fuji Provia 100F – RDP IIII (35mm)
Split #01
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding
Shot on ILFORD Pan F+ at EI 50.
Black and white negative film in 35mm format.
Photography: Take the stairs – Fuji Neopan 400 (35mm)
Take the stairs
Fuji Neopan 400 shot at EI 400
Black and white negative film in 35mm format
Photography: God’s library – Agfa Scala 200X (35mm)
God’s library
Agfa Scala 200X shot at EI 100
Black and white reversal (slide) film shot in 35mm format
Photography: The longer you wait… – Agfa Scala 200X (35mm)
The longer you wait…
Agfa Scala 200X shot at EI 100
Black and white reversal (slide) film shot in 35mm format
EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It’s time for another update!
This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
EMULSIVE 52 Rolls 2016 Week 10-13 update
“What is this mysterious object in the sky? Why does it burn my eyes? What is this feeling on my skin?
