film.photography
Royalty
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Madison river bend
Shot on Agfa Precisa CT 100 at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Split #04
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Split #03
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Split #02
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Split #01
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Film noir daycare
Shot on Fomapan R100 at EI 100
Black and white reversal (slide) film in 35mm format
Reversal development
Happy birthday ‘Murica!
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here
I don’t
Shot on Kodak Tri-X 400 at EI 400
Black and white negative film in 35mm format
Overdeveloped two stops (N+2)
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!
 
No loitering
Shot on Fuji Neopan 400 at EI 400
Black and white negative film in 35mm format
Stark
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
To the beat of the same drum
Shot on Fuji Superia 1600 at EI 1600
Color negative film in 35mm format
Developed in Rodinal (1+100 / 20c / 60:00)
Squidding
Shot on ILFORD Pan F+ at EI 50.
Black and white negative film in 35mm format.
Road hogs
Agfa Precisa CT 100 shot at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Take the stairs
Fuji Neopan 400 shot at EI 400
Black and white negative film in 35mm format
At speed
Agfa Precisa CT 100 shot at EI 100
Color reversal (slide) film in 35mm format
Cross processed
God’s library
Agfa Scala 200X shot at EI 100
Black and white reversal (slide) film shot in 35mm format
The longer you wait…
Agfa Scala 200X shot at EI 100
Black and white reversal (slide) film shot in 35mm format
Roll up, roll up! It’s time for another update!
This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
Death Valley Approach #02 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×12 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
