film.photography
Exposed
Shot on Kodak Portra 400 at EI 1600
Color negative film in 120 format shot as 6×6
Autumn unfurled
Kodak Portra 400 shot at EI 400
Color negative film in 120 format shot as 6×6
16E macro extension tube / Hasselblad Planar F 80mm f/2.8
Blue Crate
Shot on Kodak Portra 400 at EI 800
Color negative film in 120 format shot as 6×6
1-stop under exposed, no push processing
“Shooting film and riding steel framed bikes; the life I wanted but never knew existed”.
Stacked
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
It’s rumoured that today’s interviewee spends so much time on the water because he was sent by an ancient subsea civilization to spy on us dry-landers using German glass and 6×7 format cameras.
Analog trash
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
Welcome back for another interview!
Monochrome fade
Shot on Kodak Portra 400 at EI 800
Color negative film in 120 format
Push processed 1 stop
2015-08-11 – Savaged
Kodak Portra 400 shot at EI 400
Color negative film in 120 format shot as 6×4.5
Calm
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
Potted
Shot on Kodak Portra 400 at EI 1600
Color negative film in 120 format shot as 6×6
Push processed two stops
Today we’re sitting down with the one and only Jennifer Henriksen, or as you may better know her, mastermind and overlord of Holga Week, HolgaJen.
Here you go, Jen.
Welcome to the first in a new series of interviews here at EMULSIVE
I think you’ll find the format rather refreshing, if possibly a little strange.
Gone fisheye-ing
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
30mm fisheye
Walk your path
Shot on Kodak Portra 400 at EI 400.
Color negative film in 120 format shot as 6×12.
There’s more from this roll of Kodak Portra 400 at the EMULSIVE Archives.
