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Home » Kodachrome 25

Tag: Kodachrome 25

Repairing a deep sea trawler, Grimsby Docks, Grimsby, UK, Mamiya C33, 105 Sekor, Ektachrome
Posted inFilm Photographer Interviews

EMULSIVE interview #215: I am Tony Warren and this is why I shoot film

by EMApril 22, 2020July 31, 2021

Regular readers will be familiar with the writings and photography of today’s interviewee in the form of his large format pinhole camera build and light meter articles here on EMULSIVE. It’s high time we pulled back and learned a bit more, don’t you think? Over to you, Tony. Hi Tony, what’s this picture, then? TW: […]

Kodachrome 25 (EI 1.5 / 35mm / Canon EOS3) - by Richard Kowalski
Posted in5 Frames..., Articles

5 Frames… With Kodachrome 25 (EI 1.5 / 35mm format / Canon EOS3)

by Richard KowalskiFebruary 22, 2019July 31, 2021

I loved Kodachrome! It was a wonderful film and untold rolls of it went through my cameras in the 1980s and 1990s.

Genoa, Italy 2003 - From the photo-work “Pilote à bord” for Dunkerque Musée Portuaire. Mamiya 7II. Fujifilm Provia 120, 400asa
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #143: I am Jacopo Brancati and this is why I shoot film

by EMJuly 5, 2017October 16, 2020

My short interview hiatus is over and I’m very happy to bring you the words and pictures of a wonderful man and past contributor to EMULSIVE, Jacopo Brancati!

slow_film-3.jpg: Edge printing? We don’t need no edge printing. Pan-F often has rather faint edge lettering and frame numbers. Why? It just does.
Posted inFilm stock reviews, ILFORD Film Stock Reviews, Reviews

A paean to ILFORD PAN F PLUS or: there’s something about slow film

by Erik GouldJune 3, 2016July 3, 2021

Sub 100 ISO films…

There’s mystique about them; smooth, finely grained, challenging. Something for the true pros and “serious types”.

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Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220)
5 Frames… With Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220)
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EMULSIVE interview #147: I am Isabel Curdes and this is why I shoot film
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I find this uncomfortable - Shot on ILFORD FP4 PLUS at EI 500 (35mm Format). Black and white negative film in 35mm format. Push processed 2-stops. Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED
Photography: I find this uncomfortable – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Madalina Chilici - Canos EOS 500 - Fuji Reala 100
5 Frames… With Fuji Reala 100 (EI 100 / 35mm / Canon EOS 500)
Persici blossom - Fuji Pro 400H shot at ISO 400. Color negative film in 120 format shot as 6x4.5. Planar 80/2.8 - E16 macro extension tube
Photography: Persici blossoms – Shot on Fuji Pro 400H at EI 400 (120 format)
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)
  • Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan Kehlenbach
  • 5 Frames… Of ILFORD FP4 PLUS with my new Contax clone (35mm format / EI 100 / Kiev-4a + Jupiter 8M 50mm f/2) – by John Tarrant
  1. Victor Bezrukov, photographer on 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)June 27, 2022
  2. Matthew on 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)June 27, 2022
  3. Brian on How to bulk load 120 or 220 film (using 65mm Kodak 250D 5207)June 27, 2022
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