• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » ISO 6

Tag: ISO 6

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.
Posted inMedium format, Photography

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

Avatar - EMby EMJanuary 7, 2019July 31, 2021

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Jägermeister - Shot on Kodak Black and white print film 2302 at EI 6. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Jägermeister – Shot on Kodak BW print film 2302 (35mm)

Avatar - EMby EMNovember 10, 2017October 16, 2020

Jägermeister
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
 

 
 

 
 

Asleep on the job - Shot on Kodak Black and white print film 2302 at EI 6. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Asleep on the job – Shot on Kodak BW print film 2302 (35mm)

Avatar - EMby EMNovember 8, 2017October 16, 2020

Asleep on the job
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
 

 
 

 
 

Almost there - Shot on Kodak Black and white print film 2302 at EI 6. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Almost there – Shot on Kodak BW print film 2302 (35mm)

Avatar - EMby EMNovember 6, 2017October 16, 2020

Almost there
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
 

 
 

 
 

Bodie Infrared - Rollei Infrared 400 shot at EI 6. Black and white infrared negative film in 4x5 format. Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f:4.5
Posted inLarge format, Photography

Photography: Bodie Infrared – Rollei Infrared 400 (4×5)

Avatar - EMby EMMarch 27, 2017October 16, 2020

Bodie infrared

Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4×5 format
Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5

 

 

 

Stack - Rollei Infrared 400 shot at EI 6 with R72 filter. Black and white infrared film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Stack – Shto on Rollei Infrared 400 at EI 6 (120 format)

Avatar - EMby EMApril 20, 2016October 16, 2020

Stack
Rollei Infrared 400 shot at EI 6 with R72 filter
Black and white infrared film in 120 format shot as 6×6

 

 

Fuji Across 100 at EI400
Posted inArticles, Darkroom, Experiments, Guides & How-Tos

How to get started with pushing (and pulling) film

Avatar - EMby EMMarch 10, 2016May 17, 2020

We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.

It’s a great read for those of you who are thinking about dipping

Going nowhere - Ilford SFX 200 shot at EI 6. Black and white infrared sensitive film in 35mm format. R72 IR filter.
Posted in35mm format, Photography

Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm format)

Avatar - EMby EMDecember 24, 2015October 16, 2020

Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 35mm format
R72 IR filter

 

 

Hydrant - Rollei Infrared 400 shot at ISO400
Posted inMedium format, Photography

Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)

Avatar - EMby EMSeptember 14, 2015October 16, 2020

Hydrant
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6×6
 

 

 

  • Latest
  • Popular
Latest
Popular

New to film photography? Read this:

Related reading

Cover - The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
Shoes off at the door - Fuji Pro 400H shot at EI 400. Color negative film in 120 format shot as 6x4.5. 2x Teleconverter..jpg
Photography: Shoes off at the door please – Fuji Pro 400H (120)
Blue - Fuji Superia Premium 400 shot at ISO1600.
Photography: Blue – Fuji Superia Premium 400 (35mm)
Lightbulb moment - Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120 format shot as 6x6. Push processed one stop.
Photography: Lightbulb moment – Shot on Lomography Color Negative 800 (120)
Spinning around - Rollei Infrared 400 shot at EI 400. Black and white infrared sensitive film in 120 format shot as 6x6.
Photography: Spinning around – Rollei Infrared 400 (120)
5 Frames… Of ILFORD SFX 200 Developed in Cinestill's Df96 monobath with a Fuji GS645S and a red filter - by Ed Steinerts
5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • Beacons Through Time: East Coast US lighthouses captured on solargraphs
  • 5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M
  • 5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt
  1. Michael Elliott on How-to: Make DIY your own black and white transparencies (slides)September 26, 2023
  2. Michael Elliott on 5 Frames… Of Zeche Zollverein on Silberra Color 50 (120 Format / EI 125 / Mamiya 645 1000s + Sekor-C 45mm f/2.8, 80mm f/2.8 and 150mm f/4) – by Ernst-Jan de VriesSeptember 26, 2023
  3. Michael Elliott on Shooting and developing lightly expired 60-year-old medium format Dekopan F17 black and white filmSeptember 26, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.