ISO 6
Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6x6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter
Photography: Jägermeister – Shot on Kodak BW print film 2302 (35mm)
Jägermeister
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
Photography: Asleep on the job – Shot on Kodak BW print film 2302 (35mm)
Asleep on the job
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
Photography: Almost there – Shot on Kodak BW print film 2302 (35mm)
Almost there
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
Photography: Bodie Infrared – Rollei Infrared 400 (4×5)
Bodie infrared
Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4x5 format
Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f/4.5
Photography: Stack – Shto on Rollei Infrared 400 at EI 6 (120 format)
Stack
Rollei Infrared 400 shot at EI 6 with R72 filter
Black and white infrared film in 120 format shot as 6x6
How to get started with pushing (and pulling) film
We've roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.
It's a great read for those of you who are thinking about dipping
Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm format)
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 35mm format
R72 IR filter
Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6x6
