Tag: ISO 6
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Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6×6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter
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Photography: Jägermeister – Shot on Kodak BW print film 2302 (35mm)
Jägermeister Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8
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Photography: Asleep on the job – Shot on Kodak BW print film 2302 (35mm)
Asleep on the job Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8
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Photography: Almost there – Shot on Kodak BW print film 2302 (35mm)
Almost there Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8
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Photography: Bodie Infrared – Rollei Infrared 400 (4×5)
Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4×5 format Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5
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Photography: Stack – Shto on Rollei Infrared 400 at EI 6 (120 format)
Stack Rollei Infrared 400 shot at EI 6 with R72 filter Black and white infrared film in 120 format shot as 6×6
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How to get started with pushing (and pulling) film
We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It’s a great read for those of you who are thinking about dipping
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Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm format)
Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 35mm format R72 IR filter
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Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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