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Photography: Up and to the right #02 Shot on ILFORD SFX...

Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6x6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter      

Photography: Jägermeister – Shot on Kodak BW print film 2302 (35mm)

Jägermeister Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8          

Photography: Asleep on the job – Shot on Kodak BW print...

Asleep on the job Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8          

Photography: Almost there – Shot on Kodak BW print film 2302...

Almost there Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8          

Photography: Bodie Infrared – Rollei Infrared 400 (4×5)

Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4x5 format Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f/4.5      

Photography: Stack – Shto on Rollei Infrared 400 at EI 6...

Stack Rollei Infrared 400 shot at EI 6 with R72 filter Black and white infrared film in 120 format shot as 6x6    

How to get started with pushing (and pulling) film

We've roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It's a great read for those of you who are thinking about dipping

Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm...

Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 35mm format R72 IR filter    

Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400...

Hydrant Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6x6      

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