Tag: EMULSIVE Daily Photo
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Photography: Off at the door – Shot on Silberra ULTIMA 200 (120 format)
Off at the door Shot on Silberra ULTIMA 200 at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: SHOX – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
SHOX Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format.
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Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)
Above as below Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in 4×5 format
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Photography: Cosy corner – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
Cosy corner Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format.
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Photography: Mud guard – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
Mudguard Shot on Kosmo Foto Mono 100 at EI 100 Black and white negative film in 35mm format
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Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)
Saw Shot on Kodak VISION3 250D (5207) at EI 500 Color negative motion picture film in 35mm format Push processed one stop
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Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)
The staircase Shot on Kodak Vericolor III VPS 6006 at EI 100 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: Blue green dream – Shot on Kodak Portra 160VC at EI 160 (120 format)
Blue green dream Shot on Kodak Portra 160VC at EI 160 Color negative film in 120 format shot as 6×6
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Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Condensed Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Royalty Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format
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Photography: Lit – Shot on Bergger Pancro 400 at EI 200 (35mm format)
Lit Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 35mm format Reversal developed overexposed one-stop Read the Bergger Pancro 400 reviews
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Photography: 40 percent pebbles by volume – Shot on Kodak Portra 160VC at EI 160 (120 format)
40 percent pebbles by volume Shot on Kodak Portra 160VC at EI 160 Color negative film in 120 format shot as 6×6
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Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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Photography: Red and green should never be seen – Shot on Lomography F²/400 at EI 400 (35mm format)
Red and green should never be seen Shot on Lomography F²/400 at EI 400 Color negative film in 35mm format
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Photography: Patience pays – Shot on Shanghai GP3 100 at EI 800 (120 format)
Patience pays Shot on Shanghai GP3 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops








