Tag: EMULSIVE Daily Photo
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Photography: Shorn – Shot on Kodak EKTACHROME E200 at EI 200 (120 format)
Shorn Shot on Kodak EKTACHROME E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Full bloom Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Resident’s association – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Resident’s Association Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format
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Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: Shard – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Shard Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: Breather – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Breather Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Photography: Street rider – Shot on Rollei Infrared 400 at EI 400 (35mm format)
Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
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Photography: Cotton candy – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Cotton candy Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)
Beat Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format.
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Photography: Chrysalised – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Chrysalised Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.
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Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Holga 120 PAN + Schneider Angulon 90mm f/6.8 Read the ILFORD FP4 PLUS review
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Photography: Seat to seat – Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 (35mm format)
Seat to seat Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 EI 400 Color negative film in 35mm format
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Photography: Off peak – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Off peak Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: The moon in her hands – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
The moon in her hands Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format
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Photography: Hello…follow me – Shot on Fuji Provia 100F RDPIII at EI 100 (120 Format)
Hello…follow me Shot on Fuji Provia 100F RDPIII at EI 100 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Split #05 – Shot on ILFORD Delta 100 Professional at EI 800 (35mm format)
Split #05 Shot on ILFORD Delta 100 Professional at EI 800 Black and white negative film in 35mm format Push processed 3 stops
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Photography: By a nose – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm format)
By a nose Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
