Tag: EMULSIVE Daily Photo
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Photography: Up lit, lit up – Fuji Acros 100
Fuji Acros 100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
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Photography: X marks the spot – Shanghai GP3 100 (120)
Shanghai GP3 100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
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Photography: Patched – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Patched Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops Read the full ILFORD HP5 PLUS review here.
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Photography: Pick-me-up – Shot on ILFORD DELTA PROFESSIONAL 400 (120 format)
Pick-me-up ILFORD DELTA PROFESSIONAL 400 shot at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Air roots #02- Shot on Fuji Acros 100 (120)
Air roots #01 Shot on Fuji Acros 100 at EI 100 Black and white negative film in 120 format shot as 6×4.5
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Photography: Cafe culture – Shot on Ilford Delta 400 Professional (120)
Cafe culture Shot on ILFORD Delta 400 Professional at EI 1600 Black and white negative in 120 format shot as 6×6 Push processed two stops
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Photography: Derelict – Shot on Shanghai GP3 100 (120)
Derelict Shot on Shanghai GP3 100 at EI 400 Black and white negative film shot as 6×6 Push processed two stops
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Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)
Given the elbow Shot on Rollei Superpan 200 at EI 400 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Zodiak-B 30/3.5 fisheye Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
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Photography: Fizz (aka “after the rain”) – Shot on Rollei RPX 400 at EI 400 (120 format)
Fizz (aka “after the rain”) Shot on Rollei RPX 400 at EI 400 Black and white negative film in 120 format shot as 6×4.5
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Photography: Fan out – Shot on Kodak Tri-X 400 at EI 100 (120)
Fan out Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Mirror mirror – Shot on Kodak TMAX 100 at EI 800 (120 format)
Mirror mirror Shot on Kodak TMAX 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Luck of the damned – Fuji Acros 100 (120)
Luck of the damned Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format as 6×6 Push processed 2 stops
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Photography: Lobed – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Lobed Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 120 format shot as 6×4.5 Read the full ILFORD HP5 PLUS review here.
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Photography: Filing – Ultrafine Extreme 400 (120)
Filing Ultrafine Extreme 400 shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Secured – Shot on Kodak Tri-X 400 at EI 800 (120)
Secured Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing
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Photography: Spitfire – Shanghai GP3 100 (120)
Spitfire Shanghai GP3 100 shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed three stops
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Photography: Quadrophenia – Rollei Infrared 400 (120)
Quadrophenia Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Spinning around – Rollei Infrared 400 (120)
Spinning around Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Deep-rooted – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Deep-rooted Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×6 Push processed 1+1/3 stop Read the full ILFORD HP5 PLUS review here.
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Photography: The mighty mini – Kodak T-MAX100 (120)
The mighty mini Kodak T-MAX100 shot at ISO100 Black and white negative film in 120 format shot as 6×6