Tag: EMULSIVE Daily Photo
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Photography: Pineapple light study #02 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Pineapple light study #01 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Gated entry – Ilford XP2 Super
Ilford XP2 Super shot at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: Out for a stroll – shot on ILFORD FP4 PLUS at EI 800 (120 format)
Out for a stroll Shot on ILFORD FP4 PLUS at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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Photography: Shallotta problems – Kodak Verichrome Pan (VP 6041)
Kodak Verichrome Pan (VP120) shot at EI 100 Black and white negative film shot in 6×4.5 format Expired
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Photography: The Godfather? – Ilford Pan F+
Ilford Pan F+ shot at EI 50 Black and white negative film in 120 format shot as 6×6
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Photography: Tyre’d – Kodak T400CN
Kodak T400CN shot at ISO400 Black and white negative film in 120 format shot as 6×6
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Photography: Have it your way – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Have it your way Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the
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Photography: Time to think – Shot on Kodak TRI-X 400 Pan 6043 at EI 320 (120 format)
Time to think Kodak TRI-X 400 Pan (6043) shot at EI 320 Black and white negative film in 120 format shot as 6×6
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Photography: Nuts to it all – Rollei RPX400
Rollei RPX400 shot at ISO800 Black and white negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Wax apple light study #01 – Ilford Pan F Plus
Wax apple light study #01 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Black lightning – Shot on Rollei Infrared 400 at EI 6 (120 format)
Black lightning Rollei Infrared 400 shot at EI 6 Black and white negative in 120 format shot as 6×6 R72 infrared filter
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Photography: Flotsam mooring – Kodak T400CN
Flotsam mooring Kodak T400CN shot at EI 200 Black and white negative in 120 format shot as 6×6 Overexposed one stop
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Photography: Feeling pumped – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Feeling pumped ILFORD HP5 PLUS shot at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45 (N+3
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Photography: Thinking it over – Shot on ILFORD HP5 PLUS at EI 12800 (120 format)
Thinking it over Shot on ILFORD HP5 PLUS at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5-stops
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Photography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)
Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Slipway – Shot on ILFORD FP4 PLUS at EI 800 (120)
Slipway ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 120 format as 6×6 Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here.