EI 6


Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Jägermeister - Shot on Kodak Black and white print film 2302 at EI 6. Black and white negative film in 35mm format.

Photography: Jägermeister – Shot on Kodak BW print film 2302 (35mm)

Jägermeister
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
 

 
 

 
 

Asleep on the job - Shot on Kodak Black and white print film 2302 at EI 6. Black and white negative film in 35mm format.

Photography: Asleep on the job – Shot on Kodak BW print film 2302 (35mm)

Asleep on the job
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
 

 
 

 
 

Almost there - Shot on Kodak Black and white print film 2302 at EI 6. Black and white negative film in 35mm format.

Photography: Almost there – Shot on Kodak BW print film 2302 (35mm)

Almost there
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
 

 
 

 
 

Bodie Infrared - Rollei Infrared 400 shot at EI 6. Black and white infrared negative film in 4x5 format. Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f:4.5

Photography: Bodie Infrared – Rollei Infrared 400 (4×5)

Bodie infrared

Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4×5 format
Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5

 

 

 

Fuji Across 100 at EI400

How to get started with pushing (and pulling) film

We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.

It’s a great read for those of you who are thinking about dipping