EI 6
Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6x6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter
Photography: Jägermeister – Shot on Kodak BW print film 2302 (35mm)
Jägermeister
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
Photography: Asleep on the job – Shot on Kodak BW print film 2302 (35mm)
Asleep on the job
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
Photography: Almost there – Shot on Kodak BW print film 2302 (35mm)
Almost there
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
Photography: Bodie Infrared – Rollei Infrared 400 (4×5)
Bodie infrared
Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4x5 format
Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f/4.5
How to get started with pushing (and pulling) film
We've roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.
It's a great read for those of you who are thinking about dipping
Photography: Black lightning – Shot on Rollei Infrared 400 at EI 6 (120 format)
Black lightning
Rollei Infrared 400 shot at EI 6
Black and white negative in 120 format shot as 6x6
R72 infrared filter
Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6x6
