EI 400


On the job - shot on ILFORD Delta 400 at EI 25600. Black and white negative film in 120 format shot as 6x6. Push processed 6-stops.

Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad …

Read morePhotography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

Guardians at the door #02 - Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D

Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)

Guardians at the door #02

Shot on Fuji Pro 400H at EI 200.
Color negative film in 35mm format.
Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D

Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color

Tread carefully - ILFORD HP5 PLUS shot at EI 3200. Black and white negative in 120 format shot as 6x6. Push processed 3 stops.

Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)

Tread carefully

Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45

5 o'clock shadow - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 FCW / Carl Zeiss Planar F 80mm f/2.8.

Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at EI 400 (120 format)

5 o’clock shadow

Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6×6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8.

Read the ILFORD HP5 PLUS review.

Development notesKodak HC-110 1+47

Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Dead center

Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME review

Dead

Rested - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Rested

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME

Pads - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x9. Shot with #21 orange filter.

Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)

Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×9
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

Nook #02 - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 4x5 large format. Shot with #21 orange filter.

Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)

Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter

Read the Kodak AEROCHROME review / Prints available here

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Cup holder as standard - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x9. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)

Cup holder as standard
Shot on ILFORD HP5 PLUS at EI 400.
Black and white negative film in 120 format shot as 6×9.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B), 20°C/68°F, 05:00

Downtime - Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film. Fuji GW690III + EBC Fujinon 90mm f/3.5 (COVER)

Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)

Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Seeing spots - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.

Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Seeing spots
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3)
1 minute presoak, 30 seconds initial

Window shopping - Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)

Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

 

 

Duvel - Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in 35mm format. Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)

Duvel
Shot on Lomography Berlin 400 at EI 800.
Black and white motion picture film in wide 35mm format (TEXPan)
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 11:00

Slow day - Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in 35mm format. Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)

Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji …

Read morePhotography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)

Stumps #02 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic, Kodak Aero Ektar 178mm f/2.5. Orange 21 filter.

Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

Stumps #02

Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter

Read the Bergger Pancro 400 film reviews here.

'lil stunner - Shot on Kodak EKTACHROME E100 at EI 400. Color reversal (slide) film in 35mm format. Push processed two stops.

Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm format

‘lil stunner

Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops.

Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested.

‘lil stunnerShot on Kodak