Tag: EI 400
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Photography: A delivery in 4 parts… – Shot on JCH Streetpan 400 at EI 800 (35mm Format)
Shot on JCH Streetpan 400 at EI 80035mm format black and white film in 35mm formatPush processed 1-stop Development notesKodak HC-110: 1+47(E), 20°C/68°F, 11:30 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Winding down – Shot on Fuji Pro 400H at EI 400 (120 Format)
Shot on Fuji Pro 400H at EI 400.Color negative film in 120 format shot as 6×9.Fuji GW690III + EBC Fujinon 90mm f/3.5.
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Photography: Swap shop – Shot on Silberra U400 at EI 400 (35mm Format)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: By a nose – Rollei RPX 400 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Big night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Got you covered – Shot on Kodak Tri-X 400 at EI 800 (120 Format)
Shot on Kodak Tri-X 400 at EI 800Black and white negative film in 120 format shot as 6×6Holga 120GN + 60mm f/8 lens Development notesKodak HC-110 1+47 (E): 20°C/68°F, 08:15 (N+1)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Photography: On the up, up, up and up – Shot on Kodak T-MAX 400 at EI 400 (120 Format)
Shot on Kodak T-MAX 400 at EI 400Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notesKodak HC-110: 1+47(E), 20°C/68°F, 09:15 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Small eats – Shot on Ultrafine eXtreme 400 at EI 400 (35mm format)
Shot on Ultrafine eXtreme 400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 50mm f/1.8 AF-D
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Photography: Anamorphic Test #01 – Shot on Bergger BRF-400 at EI 400 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Bergger BRF-400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
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Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)
On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+79 (F): 23°C/73°F, 47: (N+6), no presoak, 1-minute initial agitation, 5 seconds agitation / minute, 1-minute stop, 5-minute fix , 5-minute…
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Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #02 Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color
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Photography: Thirsty work – Shot on Kodak Pro Image 100 at EI 400 (35mm format)
Thirsty work Shot on Kodak Pro Image 100 at EI 400Color negative film in
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Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Tread carefully Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
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Photography: Guardians at the door #01 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #01 Shot on Fuji Pro 400H at EI 200.Color negative film
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Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
5 o’clock shadow Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6×6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8. Read the ILFORD HP5 PLUS review. Development notesKodak HC-110 1+47
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Photography: Hungry work – Shot on ILFORD Delta 400 Professional at EI 400 (35mm format)
Hungry work Shot on ILFORD Delta 400 Professional at EI 400.Black and white negative film in 35mm format.Horizon S3 Pro.
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Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)
Pads Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×9 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)
Nook #02 Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 4×5 large format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter Read the Kodak AEROCHROME review / Prints available here