Contax AX
The best (and worst) film cameras of the 1990s
My take on the 10 "best" film cameras released during the 1990s. It’s not a countdown in the traditional sense and "best"...well...
An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...
Photography: Sheaves – Shot on Fujicolor C200 at EI 200 (35mm format)
Sheaves
Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8
SheaveShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.
Photography: 12 kilos – Shot on Fujicolor C200 at EI 200 (35mm format)
12 kilos
Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8
12 kilosShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.
Photography: Red and green should never be seen – Shot on Lomography F²/400 at EI 400 (35mm format)
Red and green should never be seen
Shot on Lomography F²/400 at EI 400
Color negative film in 35mm format
Photography: Jägermeister – Shot on Kodak BW print film 2302 (35mm)
Jägermeister
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
Photography: Asleep on the job – Shot on Kodak BW print film 2302 (35mm)
Asleep on the job
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
Photography: Almost there – Shot on Kodak BW print film 2302 (35mm)
Almost there
Shot on Kodak Black and White Print Film 2302 at EI 6
Black and white negative film in 35mm format
Contax AX / Hasselblad Planar F 80mm f/2.8
Photography: No smoking area – ILFORD Delta 100 Professional (35mm)
No smoking area
Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 35mm format
Contax AX, Hasselblad Planar F 80 F/2.8
Photography: Three cats #01 + #02 – Rollei Vario Chrome (35mm)
Three cats #01 + #02
Shot on Rollei Vario Chrome - EI 800 vs EI 400
Color reversal (slide) film in 35mm format
Push processed 1-stop
Exposure bracketing test
Click the images to view lightbox.
Photography: Dried veins #01 + #02 – Rollei Vario Chrome (35mm)
Dried veins #01 + #02
Shot on Rollei Vario Chrome - EI 800 vs EI 400
Color reversal (slide) film in 35mm format
Push processed 1-stop
Exposure bracketing test
Click the images to view lightbox.
Photography: Triplets #01 + #02 – Shot on Rollei Vario Chrome (35mm format)
Triplets #01 + #02
Shot on Rollei Vario Chrome - EI 400 vs EI 200
Color reversal (slide) film in 35mm format
Exposure bracketing test
Click the images to view lightbox.
Photography: Tie a ribbon #01 + #02 – Shot on Rollei Vario Chrome (35mm format)
Tie a ribbon #01 + #02
Shot on Rollei Vario Chrome - EI 400 vs EI 200
Color reversal (slide) film in 35mm format
Exposure bracketing test
Click the images to view lightbox.
Photography: Three steel #01 + #02 – Shot on Rollei Vario Chrome (35mm format)
Three steel #01 + #02
Shot on Rollei Vario Chrome - EI 400 vs EI 200
Color reversal (slide) film in 35mm format
Exposure bracketing test
Click the images to view lightbox.
Photography: Fallen bougainvillea #01 + #02 – Rollei Vario Chrome (35mm)
Fallen bougainvillea #01 + #02
Shot on Rollei Vario Chrome at EI 400 vs EI 200
Color reversal (slide) film in 35mm format
Exposure bracketing test
Note: click...
