Canon EOS-3


5 Frames... Pushing Ilford Delta 3200 Professional to EI 25000 (35mm : EI 2500 : Canon EOS-3) - by Lee Irvine

5 Frames… Pushing Ilford Delta 3200 Professional to EI 25000 (35mm / EI 2500 / Canon EOS-3) – by Lee Irvine

I recently revisited the Delta 3200 datasheets looking for recommendations to get less grainy results than with Rodinal-type developers. I was intrigued to see that …

Read more5 Frames… Pushing Ilford Delta 3200 Professional to EI 25000 (35mm / EI 2500 / Canon EOS-3) – by Lee Irvine

5 Frames With... Adox CMS 20 II (EI 6 : 35mm : Canon EOS 3) - by Rudiger Hartung

5 Frames… With Adox CMS 20 II (EI 6 / 35mm format / Canon EOS 3) – by Rudiger Hartung

ADOX CMS 20 II is a microfilm. No other film is sharper, no other film is more fine-grained, no other film resolves more lines per …

Read more5 Frames… With Adox CMS 20 II (EI 6 / 35mm format / Canon EOS 3) – by Rudiger Hartung

Bergger Pancro 400 - Metered for Shadows

Film Comparison: Bergger Pancro 400, JCH Streetpan 400 and Rollei RPX 400 by Rebecca Joyce

The past 15 years or so have not been easy for film photographers: Most photo labs have closed their doors, major brands no longer manufacture analog cameras, and the few remaining repair shops are all but out of parts.
The

Self - Instax Wide AF500, taken by Lotte Dale.

EMULSIVE interview #154: I am Raymond van Mil and this is why I shoot film

To my eye, there’s something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.

“Queen Street” Newcastle, August 2015 - Hasselblad 500CM / 80mm Zeiss Planar / Lomography Colour Negative 400

EMULSIVE interview #88: I am Nick Skinner and this is why I shoot film

Today we’re sitting down with 23-year old Nick Skinner from Newcastle in the North East of England.

Nick’s been shooting film for about two years and has a rather interesting background which, as you’ll see, imparts itself onto his photography

Untitled - Chris Wood

EMULSIVE interview #61: I am Chris Wood and this is why I shoot film

Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood, recent convert (is that the right phrase?), to film photography.

Over to you, Chris

 

 
What’s this picture, then?

Jellyfish

It’s one of my happiest